Valérie Dréville
The story revolves around Joëlle and Kamel Mrabti, key members of staff for Montfermeil's new mayor, Emmanuelle Joly—but the couple is also in the process of divorcing. The whole staff is working together on the implementation of a wacky new policy that features the creation of the Montfermeil Intensive School of Languages, where seven of the 62 languages spoken in this town on the outskirts of Paris will be taught. The policy is a great success and effectively revitalises the town, but life is no less complicated for the mayor's staff. Joëlle and Kamel are at war with each other and are each in love with mysterious blind dates. Shadowy traitors in the administration are seeking to sabotage Ms Joly's good work. Suspicions fall on Kamel.
Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.
This film is a newsreel, which presents some views, scenes and mo-ments of the class struggle in Madrid. The “Movimiento 15-M” is the first major “movement” in the beginning of the 21st century. A deep movement, trans-border and trans-historical which reactivates and works ideas and concepts that were long thought to be forgotten: demos, logos, revolution ...
This film is composed of fragments escaped from Qu’ils reposent en révolte (Des figures de Guerres). Fragments of voices, laughter and rage, snatches of words, images and memory, the words near and far; the breathe of the wind, the gesture of the sun at the sunset, the reflections red-blood; the raids of the police, processions, warriors, court of injustice ... For a map of the violence inflicted on migrants, the repetition of the colonial movement, and the unacceptability of the “world as it is”.
Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.
Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.
A psychologist discovers troubling links between Nazism and modern-day big business.
James Faulkner plays Lew Millar, a renowned private eye who is hired by a gangster to be his bodyguard. When Millar arrives at the criminal's French hideaway, the gangster is already dead. Among the people Millar investigates are the gangster's brother, the man's sister-in-law, and their teenage daughter. A judge may also offer insight into the case, as well as Millar's own past.
Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.
Dr. Bruno Sachs, the only medical practitioner in a small French town, seems on the surface to be compassionate and dedicated. However, in private he is not happy in his work and does not like most of his patients. Here he meets Pauline Kasser, a young woman, and they are attracted to each other...
After spending some time with his diplomat father in Germany, a young French medical student returns by train to Paris to resume his studies. He is puzzled by the harsh treatment he receives from customs at the border but doesn't begin to understand why until he gets home and discovers a mummified head in his luggage. He suspects that someone at customs put it there, but is not sure. Instead of reporting the meandering body part, he decides to investigate it using the tools he has as a medical student. It appears to be the head of a Russian who died somewhere in Asia.
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
The protagonist is Carmen X, a female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.
Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean is a controversial career-climbing writer/politician at a crossroads in life.
