Valeriu Jereghi

1971, Odessa Film Studio. The KGB studio curator orders a re-edit of just finished movie about the events of Ukraine’s 1920s "civil war" of a young director in line with the Party’s view on the historical events. This re-editing work is entrusted to a young female editor, which consequently realizes she must protect the director’s vision and the safe-guard the truth about her country under Soviet occupation.

There are a small number of people for whom imagery and symbolism alone are sufficient reason to watch an otherwise difficult film such as this one. In the story, a boy, a woman and a cow seem to be the only survivors of a global catastrophe, except for whoever is following them threateningly in a tank. Slowly they put together what they need to survive, and despite the difficulty of all this, it looks as though the human race may just manage a new beginning. This simple, darkly imaged story is told with a very minimal amount of dialog. Sci-Fi and action fans may find the film disappointing, but conoisseurs of metaphor may find what they are looking for here.

August 1943, Europe. The tentacles of the German octopus have begun to recoil. As the Nazis retreat, their concern focuses on the supply of oil from the refineries of Romania. Without the flow of "black gold", Germany's doom is sealed. Armadas of American bombers from bases in North Africa have begun to assault Pioesti - and there is another threat from the Partisans across the border of Yugoslavia. Against the tableau of spectacular events, the dramatic story of WILD WIND unfolds.

Growing up in an orphanage, Florin is trying to find his mother Dorina, whom he has not seen for 15 years. His beloved Liza is very jealous of Florin's plans. Having met his mother, an already adult son is trying to understand the person who gave him life and abandoned him. But can a son forgive his mother, who deprived him of a happy childhood?