Vania Vilers
A fantasy romance set in 19th century France. The film revolves around Sobran, a young peasant winemaker, and the three important figures in his life - his beautiful wife Celeste, baroness Aurora de Valday and an angel named Xas.
Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.
Angelique, a young student, is in love with a married doctor. We see her attempts to make him leave his pregnant wife, but he does not appear for meetings or finally the booked journey to Florence. Then the movie is turned back to the beginning, and the view changes: We are now following the view of the doctor instead of Angeliques. And things look quite different now...
Nina is totally heartbroken at the death of her boyfriend Jamie, but is even more unprepared for his return as a ghost. At first it's almost as good as it used to be - hey, even the rats that infested her house have disappeared. But Jamie starts bringing ghostly friends home and behaving more and more oddly.
Julien Mauriès, the youngest of a perfumer's family was forced to go into exile after having an unfortunate experience in the estate business. He spent 20 years in Venezuela and made fortune in the perfume business. Now, Julien has decided to come back in France in order to start again and to cleanse his honour.
Bastien Grimaldy, a man driven to heightened anxiety as the plot against him begins to take effect. Bastien's personal relationships give him enough cause for anxiety -- between his new lover Laura and a feisty mother, life provides its own insecurities. When he goes to the police with his problems, Bastien is assigned an off-beat inspector to protect him but is still faced with skepticism about his dilemma.
This film in the popular French television series Cinéma 16 stars Jean-Claude Carrière as a surgeon who becomes obsessed with decrypting a series of mysterious Polaroid snapshots
The film is the immediate continuation of Un éléphant ça trompe énormément, released the previous year. Having fortuitously discovered a photograph in which Marthe embraces someone unknown, clothed with a chequed jacket, Étienne Dorsay becomes jealous, and imagines various stratagems to identify the lover. In the meantime, Étienne and his friends acquire a weekend house for a very low price. As in the previous work, the film is largely narrated by the character Étienne, whose tone shifts with the reality of the images. The film contains a certain number of allusions to the films of Blake Edwards (the Pink Panther series).
American Neil Bowman is traveling through France when he meets British photographer Lila. They are hired by French land owner Duc de Croyter to escort a Hungarian scientist to New York. But they soon realize that the job is not a cushy number, and have to deal with a gang of kidnappers who will stop at nothing to get their hands on the scientist
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
Hugo-Paul de Weydroos, forger who manages to mystify the most renowned experts, is an attractive man, not without talent but paranoid and megalomaniac. He lived a childhood in the Paris of the 1920s, upset by his love of drawing and painting thwarted by an abusive mother. Delivered to his own fantasies, the hero indulges in the most disordered introspection and will end up consuming himself to become the reincarnation of the one he is trying to copy: Hans Pauli Weyergans, painter of the 18th century.
