Veanne Cox
2022 marks the 25th anniversary of ABC airing Rodgers & Hammerstein’s “Cinderella” (1997), a revolutionary TV musical that embraced racial diversity in casting and has impacted generations over the years, starring an all-star cast led by Brandy Norwood as Cinderella and Whitney Houston as her fairy godmother. ABC News is producing a news special dedicated to the legacy of this film, reflecting how the idea of a princess has evolved and what makes the film still relevant today.
A short film music album hybrid for the Metronome project by Mikel Rouse.
Boy meets girl on a block in the East Village, a place like no other, where muses come to life, singing and dancing and magically providing guidance to two misguided romantics and their loving, albeit controlling, parents. Marry Harry is a romantic comedy that explores family (restaurant) business, family loyalty, marriage, love, food and finding one's path in life with humor, heart and just the right amount of spice.
It's the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act 'more black,' he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
Upon discovering her husband's infidelity, Sandy leaves the suburbs and moves into the city. There, she befriends Aram, a guy whose wife only married him so she could get a green card. Sandy hires Aram to be her nanny, and it isn't long until Aram and Sandy find out they get along wonderfully and start to date. But is their relationship real or is it, in fact, just a rebound for both of them?
Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.
The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
Vivian, Roe, JJ, Ines and a mysterious French man through a 20 year musical memory of New York City. As people and places in their lives drift away, visual impressions meld with sound and narrative stories to reveal a complex yet moving tableau. As the characters recall their own personal histories, conflicting images reveal their past, present and future. Symbols of corporate America and its not so quiet invasion in our lives are distorted and abstracted into poetic blow ups that correspond to the ever shifting pulsations of the soundtrack. This unique juxtaposition of music, lyrics, images and narrative might rightly be called Opera Verite.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
Book superstore magnate, Joe Fox and independent book shop owner, Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.
This is the third television version of Rodgers & Hammerstein's Cinderella; a musical written for television, with music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II.This 1997 television remake was adapted by Robert L. Freedman and directed by Robert Iscove, with choreography by Rob Marshall. It was produced by Whitney Houston and Debra Martin Chase for Walt Disney Television and aired on November 2, 1997. Sixty million viewers watched the broadcast. Several songs were added, including "Falling in Love with Love" from the musical The Boys from Syracuse, sung by the Stepmother; "The Sweetest Sounds" from the musical No Strings, sung by Cinderella and the Prince; and "There's Music in You," written for the 1953 film Main Street to Broadway, sung as the finale by the Fairy Godmother.
An egocentric bum transforms the lives of a shy New Jersey garbageman and his sister.
A 21st-century genetic experiment goes chaotic, creating a race of genetically-violent mutants.
A girl from Yazoo City, Mississippi pins all her hopes on winning the local beauty pageant.
A girl acts spoiled and doesn't want to marry any of the suitors that come for her hand. One guy, who she nick-names "Bristlelip" makes a deal with her father for her hand. The next day "Bristlelip" comes disguised as a peddler, and the girl becomes his unwilling bride. He carries her off to his crude cabin, all the while commenting on her questions about properties. The girl proves to be an unfit (at housework) wife at first, trying her hand at cooking, spinning, basketry, and even sales of pottery to no avail.
