Veljo Goranov

A gray border, dull village. Time seems to have stopped in this place. The appearance of a beautiful woman breaks the monotonous way of life and challenges the colorless group of men and makes them come out of their shells.

7.6/10

Advantage (Bulgarian: Авантаж, translit. Avantazh) is a 1977 Bulgarian drama film directed by Georgi Djulgerov. It was entered into the 28th Berlin International Film Festival, where Djulgerov won the Silver Bear for Best Director.

7.2/10

The police trucks and the piled up dead partisans in the village square shatter the peace of the village. The people manage to not only bear these extreme conditions, but also manage to take part in history. An army blocks off the village. Arrests and interrogation are common. The partisans are hiding in the forest. One of the soldiers manages to run off to them. The pot maker is among their aids and is killed while completing a mission.

The beginning of the 20th century. The young Nona comes back to her father's farm from Switzerland. She meets colonel Galchev. The officer expresses his love for her. The teacher Yosif who is in love with Nona organizes a revolt of the villagers with no property. Armed villagers rob the farm. Galchev and his soldiers arrive. During the shooting, the colonel is killed. Nona accuses Yosif of Galchev's death. The carriage of Nona's fiancé, who travels from Switzerland to the village, passes by the coffin with Galchev's body. A second after the fiancé enters her house Nona kills herself.

7.1/10

The film is based on the memoir 'In the name of the People' by Mitka Grybcheva, an activist in the anti-fascist resistance. The action takes place during the WWII and reveals the sharp clash between police power and resistance forces, headed by the Communist Party of Bulgaria. This is a time when, 'in the name of the people', the fighters are setting up underground combat groups, which punish with death their political opponents. The film's characters are specially trained for the purpose young people, members of one such combat group. Against the background of their risky task, in the execution of which they have to pay with their own lives, every facet of their characters stands out. Faced with death they reveal their intimate worlds, their unrealized youthful impulses that have been sacrificed in the name of commands, disparate from the Ten Christian Commandments.

7.3/10