Vera Tschechowa
A Documentary about Nikos Nikolaides' work. Nikos Nikolaides was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.
Vera Tschechowa, actress and filmmaker and a close friend of Michael Ballhaus. One of Germany's stars of cinematography, embarks on the journey through my life. The film begins in the US and Hollywood - where Ballhaus established his international fame,
After the German reunification: A widowed, unemployed archaeologist with two children and a single futurologist with a little daughter in Berlin fall in love at first sight and persistently and unwaveringly develop a life together. An equally unspectacular and rigorous examination of love as a crucial basis for private and political action.
Reserl, a young girl from the country is sent so be a friend to Princess Isabella in the capital of a German principality. Allthough it take quite some time, before the two girls grow to like each other.
"Meeting place at Infinity" - Combines interviews with family members, contemporary witnesses, experts and critics, text passages as well as photo and film material with staged film scenes. The result is a portrait of the writer, his family and his time.
From 1928 to 1943, Haus Vaterland was a large restaurant and entertainment palace in Berlin on Potsdamer Platz, originally run by Kempinksi, with around one million visitors per year, which can be regarded as the forerunner of today's event gastronomy. In the guest rooms there were a variety of theme restaurants, including the Palmensaal, a dance hall, where in addition to musical and artistic events, demonstrations and variety programs. The visitors of Haus Vaterland were mainly tourists from outside Berlin.
Skoda is the son of a wealthy, overbearing banker and rather than put up with his father to keep a privileged lifestyle, he has chosen to ditch the relationship and drive a taxi for a living. The film follows Skoda on his nightly rides through the city, and though different characters come and go, Skoda meets a kindred spirit in the form of a teenage woman who finds her own home life equally difficult to shoulder. The two young people are gradually attracted to each other, and they end up one night in Skoda's room together. At that moment, the older woman that Skoda had been involved with opens the door and discovers his infidelity. Skoda is living in her house and driving the taxi she gave him -- her commitment was abundantly clear from the beginning. Pushed over the edge, the older woman commits suicide -- and Skoda is blamed for her death by her ex-husband. He swears to avenge her, and the hunt for Skoda begins.
The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.
"Times of Sensibility" - about the conflicts of a woman during pregnancy.
Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character. In a long nighttime discussion the friends try to clear up these differences - not without some glimmer of hope.
Euridice in Hades, code number ΒΑ 2037, is waiting for Orpheus to free her and lead her to the Upper World. She’s waiting for orders that will allow her to move out of her prison/home. Her destination is not mentioned. A voice from a computer orders her to move out.
Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to flee shortly after and takes Blondi to a doctor. He tells her his story, how he used to smuggle drugs, but one day fled with a suitcase full of money. Corinna inexplicably falls in love with him and decides to accompany him on his further flight. But the villains are close behind them.
The story of the life of a political prisoner in a Russian gulag. Based on the book by Aleksandr Solzhenitsyn
A German sociologist goes to Sweden to investigate whether the Swedish sin is myth or not. He stations himself in a student home for girls. His fiancée in Berlin fantasizes about the study, and to allay her worries she packs her bags and goes to find him, to convince him to come home.
Munich, 1968: a period of liberation, student revolts, state repression. Amidst the restlessness, chemistry student Robbie meets the Irish cello player Nancy. They feel compelled to pursue a passion in spite of their careers. But does romantic love have a place in such convoluted, contesting times?
Mobsters conspire to loot another criminal's treasure secured in an enormous booby-trapped vault.
Wassa Schelesnowa, a manipulative matriarch who will stop at nothing to keep her business afloat and her family together. Infanticide, forgery, murder, blackmail, adultery, exile, and plain old-fashioned greed are the order of the day as Wassa's colorful clan tries to scheme its way out of the house and into financial independence.
A young electrical engineer, engaged to his boss's daughter and on the way to a secure existence, breaks out of his usual life when he meets a childhood friend.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Intended as a light farce this comedy by Luigi Commencini is a little plodding in its story about a bank manager who has had it with his buttoned-down, boring job. One Monday he can no longer face the tedium of both his work and his life and so he stays home and rebels by playing with toys and joining in on a radio concert with his own instruments. His erratic behavior does not go unnoticed and soon a winsome psychiatrist whom he knows and secretly admires, is right there trying to help him. The newly liberated bank manager logically grasps this opportunity to press forward his innermost feelings.
Freddy can hardly believe his good fortune: His uncle has left him some land in the Rocky Mountains, and, together with orphan Stefan, he's taking off for Canada. However, the great inheritance turns out to be a decrepit, old log cabin in the middle of nowhere. Nevertheless, an unusual number of people seem to be way too interested in the rundown ranch.
A police commissioner investigates an auto theft ring in Hamburg following the murder of an inspector.
"Under 18" - The social worker Luise Gottschalk dedicates all her passion to the Viennese caretakers and derailed young people. Tirelessly, she advertises to adults for understanding the needs of adolescents. She is particularly committed to a girl named Elfie Breitner.
