Vesa Mäkelä
The story bases on four Finnish brothers, nicknamed 'the Eura Daltons' who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or anything from his past life, he cannot get a job or an apartment, so he starts living on the outskirts of the city and slowly starts putting his life back on track.
Two men, who both have tried to commit a suicide, decide to found a "Let's do it together"-suicide association to help the self-destructive people to succeed in their goal. Soon they have a bus load of candidates and together they start a bus tour in order to find a suitable place for the mass suicide.
Häjyt tells a story of two friends who have a hard time finding their place in the society. Antti and Jussi are released from jail. While they were doing time for bank robbery, the third man involved in the robbery, the one who was not convicted, has become a policeman. He tries to help his friends to settle into the small town in Pohjanmaa, but the boys start a black market liquor business instead. The road seems to lead back to the jail.
Topi's mother, who is also Tenho's wife dies and Tenho and Topi have to move out from the town because they don't have enough money to pay their rent. Tenho gets a job as a lumberjack (which by the way is the title in Finnish). The movie tells the story about Tenho and his 10 years old son who both have to grow up in the same summer. Written by Mikko Saranen
Tram driver Lauri looses his job. Shortly later, the restaurant where his wife Ilona works as a headwaitress is closed. Too proud, to receive money from the social welfare system, they hardly try to find new jobs. But they are completely unlucky and clumsy, one disaster is followed by the next. Finally, their courage, confidence, and their unbreakable love triumph over the fate.
Russia attacked Finland in late November 1939. This film tells the story of a Finnish platoon of reservists from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia who leave their homes and go to war. The film focuses on the farmer brothers Martti and Paavo Hakala.
Based on a novel of the same name by the Finnish author, Antti Tuuri, this delicious late-80's comedy builds its dark humour on the stereotypical mentality of the northern part of Finland. While perhaps not as entertaining to a person unfamiliar with Finnish traditions, the brilliant acting, directing, plus the warm, beautiful Finnish summer more than make up for the cultural gap.The story begins with a group of brothers with their families coming up to honour the memory of their recently deceased father. Spending time together, opening old wounds and creating new ones... it all boils down to brotherhood. No matter what happens, brothers take care of their own.
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'.
Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
Time of depression in the 1930s. "Poverty and abundant wealth have simultaneously filled the earth's circle. The peasant's cornerstones are moving." Iso Herneinen's mistress is dead and grief lives in Jopi's heart. Jopi's grown-up boys are hardly happy. The eldest boy fell in love with the house maid. The middle one is, according to Jopi, a strange modern product. The youngest does not enjoy working or working at home. The three-part TV series tells about the peasant's collapse in years of depression.
