Vida Juvan

Veronica is a high school student studying to be a glazier, although she dreams of being a theatre actress. The only thing that she finds joy in at school is the company of her friend, Klemen and writing the script for a theatre play in her spare time together with a retired actress whom she has befriended. Her parents find it difficult to understand her acting ambitions - or rather, they would probably find it difficult, if they would bother to take the time off their busy schedules to try. Nor does anyone else understand Veronica. When all her plans go awry, she ends up in a home for juvenile delinquents. When she is released into the custody of her parents again, she eludes their vigilant guard and runs away to the country, to Klemen. Only Klemen's father makes it abundantly clear to her when she gets there that Klemen will not stand by her side either. Veronica finds herself out on the street again, where everything is possible and the future is open to her...

The film is a portrait of the Novak family: the results of the marriage between the farmer Novak and a townswoman of German descent, their children and their tragic fates and the life of Andrej - the Novaks' only surviving child. Andrej recalls the days of his youth and the wartime years, in which the family slowly breaks up due to different political beliefs and world-outlooks. In addition to the loss of many members of his family, Andrej must also face the fact that his father has disowned him and his girlfriend left him. Despite all, however, he keeps alive his hopes of a better future, which, to him, is embodied by the beautiful Iza.

An elderly woman pays visit to her mother who resides in nursing home. Few days later she receives a telegram that the mother died, but it turns out that the address it was sent to was wrong. However the guilt of neglect starts to torment the mourning daughter nonetheless.

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

Slovenian countryside in the 18th century. The future lord of the manor, Ožbej, falls in love with the new maid, Meta. His family, however, is opposed to the match and successfully plots to keep the young couple apart. Although Meta must endure scorn and degradation at the hands of the villagers, Ožbej still cannot tear himself away from her. Five children are born of their union, all of whom are looked upon as bastards by the manor folk. Although driven by desperation to return to the manor, Ožbej still harbours the hope that he will one day be able to live together with his love. Can he survive without the woman he loves and without his children? Will he be able to survive at all?

Peter is the dark brooding type. Leading a vacuous, shapeless life, he longs for the ideal woman, while at the same time, half heartedly continuing with his habitual girlfriend, Marusa , who is considerably older, a fact that Peter is quick to point out. As an aging actress, struggling for parts in her local theatre, she oozes insecurity and breathes uncertainty. Together, they spend their time in the local restaurant, smoking, drinking and trading verbal blows. "I bet you'll just end up a drunk," she tells Peter each time. Peter just grins and tells her how old she looks. Compounded by a thankless director who soon shows her the door, Marusa finds her identity being squeezed harder and harder against the wall. To escape, Peter and Marusa dream...

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.