Violeta Vidaurre

Cristina (49) has spent her life taking care of her mother Carmen. Single and without a trade or friends, she grows older, year after year in her hometown. A few days from her birth- day, Cristina reconnects with Sandra, a former schoolmate who will show her other ways to live, freely and without prejudice.

Submerged on the routine, Andrea escapes her solitude by fantasizing about the men that round her.

Aida doesn't interact with anyone, until one day she happens to meet Michel, a young deaf-mute man who delivers mail on his motorcycle.

The exiled daughter of an English businessman returns home, in the midst of the class struggle between the bourgeoisie and the proletariat in the Humberstone nitrate office, during the acute 1930s financial crisis.

A caravan of gypsies arrives in Mejillones, Chile, to celebrate the marriage of their patriarch, without imagining that the unexpected arrival of his daughter after two decades, will revive a stormy past.

A painting unleashes the riddle of three women from different worlds and times but with the same face. How can this be?

With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.

A maid loses all her jobs because her son cries at night, and that bothers her bosses. The play portrays the wandering and desperation of the protagonist to get a job, which ends in her failed attempts due to the "Angelito".