Vladimír Polívka
Born in the early 20th century, herbalist Jan Mikolasek became rich and famous after curing countless diseases with unorthodox means. A true emblem of Czechoslovakia before World War II, the healer became even more appreciated during the Nazi occupation and the communist regime. Each regime appreciates his skill and protects him. But how much will it cost him to maintain his status in a new political change?
“The Glass Room” is a love story about the relationship between two women set in an iconic modernist house in Czechoslovakia built by celebrity architect Ludwig Mies van der Rohe.
A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human.
By some quirk of fate, the two small-time thieves and the spoiled princess find themselves in the Black Forest full of magic beings who believe that everyone has a chance to mend his ways. However, sometimes even the best intentions need to take a pretty long way round to be achieved... Funny fairy tale full of action, excitement, fun, magic but also love.
Students from the Prague Conservatory leave for a workshop in the picturesque South Bohemian countryside, where they are placed before a demanding task, from which only some of them will emerge successful and they will then continue in their dream to be famous. Each of them will find their true path to happiness.
An exciting drama from a detective history. In 1899 a dead girl - seamstress Anežka Hrůzová - was found between the village of Věžnička and the town of Polná. She was 19 and she had a cutting wound on the throat. There was no sexual violence involved and since the local doctors thought that there was not enough blood on the crime scene, everyone jumped to the conclusion that Jews must have killed her and added her blood to their passover matzot. There was a potential murderer at hand too - a cheeky, not very bright young Jewish rover, Leopold Hilsner…
A coming of age story about love, loss and revenge centers around two teenage friends, Adam (Vladimír Polívka) and Marek (Jan Cina), whose aimless lives in a small town are suddenly disrupted by the appearance of Anna (Johana Matousková), the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.
Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.
A married couple unexpectedly find themselves witness to a murder. The perpetrators pay them to remain silent, but also turn them into the main suspects of the crime. The more the two try to distance themselves from the case, the more entangled they become, and so does their relationship
Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.
