Waldemar Januszczak
Art historian Waldemar Januszczak uncovers the secret meanings hidden within some of the greatest paintings by Van Gogh, Gauguin, Cezanne and Seurat .
Shaun Greenhalgh and Dr Janina Ramirez research and remake a selection of precious objects from the past using traditional materials and methods.
A history of American art with Waldemar Januszczak
Four-part series in which Waldemar Januszczak challenges the traditional view of art's most important epoch - the Renaissance.
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities. But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
Rococo art is often dismissed as frivolous. But Waldemar Januszczak disagrees and in this three-part series he tries to bring Rococo art closer to us, and argues that the Rococo was the age in which the modern world was born.
In 1978 the Undertones released Teenage Kicks, one of the most perfect and enduring pop records of all time - an adolescent anthem that spoke to teenagers all over the globe. It was the first in a string of hits that created a timeless soundtrack to growing up, making the Undertones one of punk rock's most prolific and popular bands.
Art Documentary hosted by Waldemar Januszczak, published by BBC in 2011.
Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists.
The sunny landscapes and shimmering portraits of the 19th century impressionists adorn candy boxes and designer T-shirts. But as critic Waldemar Januszczak reveals in this four-part documentary, the artistic movement didn't always enjoy the widespread popularity it has today. In their time, impressionists were artistic rebels who threw out the rules set by Paris's prestigious art salons. As Januszczak visits the studios, hot spots, and rustic vistas that inspired the artists, he sheds light on a motley collection of personalities, from Jean-Frederic Bazille, a gifted, nearly seven-foot-tall painter who helped bankroll his fellow artists, to Claude Monet, whose obsession with water compelled him to build a floating studio. When they banded together for eight legendary exhibitions between 1874 and 1886, they forever expanded the boundaries of art.
Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.
Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.
In this three-part documentary series Waldemar Januszczak discovers paintings, sculptures and architecture of the Baroque period. Starting from the square of Saint Peter's Basilica in Italy to St Paul's Cathedral in England.
This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.
A film crew goes into Turkmenistan pretending it's for a stag party, but they are really recording a documentary about the secretive country.
We imagine many things when we think of this word. However, we do not think about Islamic Architecture, which influenced the art of Europe so profoundly. This documentary tours through the Muslim world, in search of that "atmosphere of Paradise," hidden away in mosques and palaces.
Art critic Waldemar Januzczak explores Beijing's controversial and challenging modern art scene.
Art critic and broadcaster Waldemar Januszczak wrote and directed this examination of a man who was not only a great painter but sculptor, wood carver, musician, print maker, journalist and ceramicist. As well as telling the remarkable story of Gauguin's life, Januszczak also celebrates Gauguin's achievements and examines the various accusations of sexual misconduct, familial neglect and racism that are frequently made against him.
This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.
A curious title given that for 50 minutes, Januszczak snarls his way through a canine critique and it’s not clear which he despises more, dogs or their owners. He visits a dog show which he regards as incorrigibly eccentric and he considers breeding practices to be the canine equivalent of eugenics practised by the Nazis. “We breed them until their heads look like misshapen Halloween pumpkins (often to the detriment of their health), we cut their bollocks off, we send them to a doggy psychiatrist and still most of them won’t do what we want them to do. The message appears to be that we love dogs, but not for themselves, it’s for the prestige they can bestow upon their owners.
Acclaimed British art critic, Waldemar Januszczak, investigates the few known facts about William Dobson and seeks out personal stories he left behind as it follows him through his tragically short career. Among the Dobson fans interviewed in the wonderful film is Earl Spencer, brother of the late Princess Diana, who agrees wholeheartedly that William Dobson was the first great British painter.
Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.
