Walter Jakob
Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.
This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.
“We were workers of luxury. And nobody was rich enough to pay us. We had to be at the same time the actor and the documentarist. We had to be at the same time the painter and their muse. The poet and the landscape. The rifle and its prey. The rider and the horse. Don Quixote and Cervantes at the same time.” A miserable Argentine troupe of actors, dancers, musicians, film-makers and a girl embark on a theatre tour to some country, probably in Latin America. If ever love and money were irreconcilable, Por el dinero is the story of that tragedy.
The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…
In Argentine mythology, the gaucho holds a significant cultural position. The gaucho descends from the union between the indigenous population and Iberian immigrants. Gauchos adopted the Indígenas’ approach to livestock farming and are always associated with horses and vast open plains. The drama occurs when the brother falls from a horse and can no longer be saved. Man and horse become one, for a short moment. Then he draws a knife and revenge violates the idyll: An eye for an eye, a man for a beast. Fire burns on the street, the gaucho mounts his horse and revenge runs its course. The mythical realm overflows into the realm of reality.
Solitary and sometimes attacked by an asthmatic crisis, Roque Waterfall leads, at age 30, an unproductive life and, little or nothing at work, lives on a small family inheritance. His passion is to collect videos of Atlanta, the club of his loves, and in one of his few nocturnal outings he meets Hans, a German intellectual nihilist who is in Buenos Aires to make a documentary film about people who have nothing. But when he meets Roque he decides that his film will be about someone who does not do anything, of course he is not sure if he wants to show himself before the camera, and while trying to escape the director he meets Carla, whose charm stimulates him to interrupt his sedentary life .
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.
Loro, a ballet dancer, learns Luciana, his girlfriend, is pregnant. When she quits their ballet production and leaves, Loro looks for her in San Francisco.
Ignacio has the same dream every night. This dream is destroying everything from the inside of his mind: his job, his romance, his personality, his world. Is it a vision, a sickness, or a simple whim?
The "Villa Virgin", a shantytown in the slums of Buenos Aires. Julian and Nicolas, two priests and long-standing friends, work tirelessly to help the local people. Julian uses his political connections to oversee the construction of a hospital. Nicolas joins him following the failure of a project he was leading in the jungle, after paramilitary forces assassinated members of the community. Deeply troubled, he finds a little comfort in Luciana, a young, attractive, atheist social worker. As Nicolas' faith weakens, tension and violence between the slum drug dealing cartels grow. And when work on the hospital is halted by ministerial decree, the fuse is lit...
A woman who comes to transform the city. Two friends now at odds forever. A man who invades apartments to film women from afar. A writer who plagiarizes books and a translator who discovers it. A UFO epidemic in an unbearable summer.
Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and his trying to be helpful in his career and with women, only worsens the conflict. When Manuel leaves Sofia with Luciano for two days, she is seduced by the qualities Manuel rejects in his friend as weaknesses. Sofia changes. Luciano also, but only at the last moment he can overcome the fears he has been cultivating his whole life.
X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.
It tells the story of three people who live in the same building. On the one hand a pair something uneven, she, a refined decorator more than forty-five and he a young thirtysomething, with an uncertain future. On the other hand, a young visual artist and somewhat unhinged unemployed, portraying their neighbors, spying and draw your way. The meeting point of the three characters is a neighboring bar, thus making the owner, involuntary witness of the triangle, in whose armed much have to see a celebrity who lives in Paris. (PRO)
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
