Walter Regelsberger
B 501, a newly developed controller for missiles, has disappeared despite the strict surveillance. Phillippe Tissout is sent by his boss to Paris to take over the case.
Supported avidly by his mother and more reluctantly at first by his father, a working-class Austrian boy joins the Vienna Choirboys, where he proves to be unusually talented. The standard initiation ordeals which new boys must endure at the hands of their seniors are intensified in his case because he has aroused the jealousy of Peter, the head chorister, by singing a solo which Peter had long sung himself. The fact is that Peter's voice is breaking, and with a broken voice often comes a broken heart. But, encouraged by the director and all the boys, Peter begins to develop in a new role as composer and conductor.
This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.
A German nurse gets sent to the front because she gives medical aid to a wounded Serbian partisan during World War II.
