Walter Salles
Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.
Teenager Joana feeds her soul with literature and rock. In 1979, when amnesty is granted in Brazil, she's forced to move with her family from Paris back to the country she barely remembers. Back in the city she was born in, and where her father was forcedly disappeared, she recovers pieces of memory from a fragmented childhood in Rio de Janeiro. Not everything is real, not everything is imagination. And as she remembers, Joana must write her own story in the present tense.
The story of a family who has their lives crushed by the tragedy of the floods in Mariana (Minas Gerais, Brazil)
A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.
Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
Clara, a 65-year-old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Boa Viagem Avenue. All the neighboring apartments have already been acquired by a company which has other plans for that plot.
Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Analía’s mother sends her to Buenos Aires to deliver some handicrafts. She is expected to return home quickly to the country town where she is to take on her family’s hairdressing salon. But by chance an address mix-up leads her to a Muslim community where she finds herself taking part in a ritual completely unknown to her. Enthralled by the new world she has entered, Analía decides on the spur of the moment to take on another identity.
Dean and Sal are the portrait of the Beat Generation. Their search for "It" results in a fast paced, energetic roller coaster ride with highs and lows throughout the U.S.
The trajectory of Branca, a 3 years old Brazilian, and Marcos. They never met in life before seeing themselves on screen. Branca travels to Cuba, her father homeland, in the anniversary of the revolution.
Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.
In front of a marquee for The 400 Blows, two Brazilian singers trade songs about visiting the Cannes Film Festival.
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in her daughter's bedroom.
Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.
In 1952, Ernesto Guevara, then a medical student aged 23, and his friend Alberto Granado, a biologist of 29, began a long journey through the South American continent. During their tour, which began with an old motorcycle to continue after hitchhiking, they witnessed the harsh living conditions of the population of the countries they travelled. Guevara, soon to be known as Che, recorded his impressions in a diary. In 2002, the Brazilian director Walter Salles began shooting a film about that odyssey, "The Motorcycle Diaries". This documentary follows the making of that movie in detail, incorporating interviews with various participants.
Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.
On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.
Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes...
Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.
When the inmate Maria do Socorro Nobre reads an article about the Polish artist Franz Krajcberg in Veja magazine, she decides to write a letter to him. Socorro was sentenced to more than twenty-one years in a prison for women in Salvador, Bahia, while Franz is a tormented artist that lost his family and lived his childhood in a ghetto in Poland but survived the Holocaust. Franz moved to Brazil and recovered life wish living close to nature and inspires Socorro to dream with life again.
An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
After the death of his mother, a young Brazilian decides to leave his country and travel to her native land. In a foreign land, he finds love and danger.
A documentary about the fathers of Bossa Nova: João Gilberto and Antonio Carlos Jobim.
A look into the 25 years of career of famous musician Chico Buarque and his influence in Brazilian culture.
A portrait of conteporary China from Tai-chi-chuan to chinese arts.
A poor young girl living in Chile with her wheelchair-confined father and four siblings tries to save up enough money to watch movies at her local cinema
