Walter Schmidinger
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
The Vienna State Opera on Thursday before the Carnival. As every year the large ball rather is attended by celebrities from politics and the media. Just the arrival of newcomers is finished and the Polonaise faded as it is in the best tradition: "Alles Walzer". transferred with 20 cameras live throughout the world. Television journalist Fraser (Heiner Lauterbach) views the event from the control room, outside in the hall leads his son has one of the cameras. Suddenly all hell breaks loose: poison gas flows from hidden containers, hundreds of guests die in agony, millions of horrified spectators experience it on the TV screen...
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.
Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.
Elisabeth, a forty year old woman, visits her old father in the outskirts of Klagenfurt. There, she reflects about her childhood and her romantic life.
Based on a very successful play of the same name by Tankred Dorst, this film tells a story about Norwegian author Knut Hamsun (here played by O.E. Hasse), a Nobel prizewinner for literature who was notorious for having collaborated with the Nazi regime. After the war, rather than hand him over for prosecution, he was sent to a retirement home. A young man, bitter about the war, tracks him down and begins to harass him in various ways. The author handles everything that comes to him with remarkable dignity, which eventually removes some of the taint from his actions.
