Walther Suessenguth
East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.
In the Dutch town of Saardam, Tsar Peter the Great has disguised himself in order to learn the art of ship-building. Another Russian named Peter also works at the wharf, causing a comical case of mistaken identities. Emissaries sent from France and England have difficulty locating the man they are looking for, and the lovely Marie is courted by both Peters. An adaptation of Albert Lortzing's eponymous comic opera (1837).
German chancellor Otto von Bismarck promises the dying emperor Wilhelm I. to be loyal to his grandson. But the gap between young Kaiser Wilhelm II. and old Bismarck is rapidly widening. It soon appears that an era is coming to an end.
Maria Halmborg is a widow. Her husband Erik - missing for years - is considered dead. Suddenly she learns that her husband allegedly lives in Rio and sets out on the journey to clarify the matter.
A man comes back from America after years to find his reputation ruined.
