Wang Xiaoshuai
The film tells the story of Lu You, a once highly regarded Chinese female footballer who retired at the height of her career due to an injury. At this low point in her life, she came to a poor and backward mountain village in Pakistan to help a group of young girls pursue their football dream.
The changes in Chinese society from the 1980s to the present day, as experienced by two families.
In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. Manzhouli becomes an obsession for the protagonists of this film, a longed-for escape from the downward spiral in which they find themselves.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
Lao Yang is not "a good father" in Chinese traditional way although he's already in his 60s. His wealth has been through ups and downs ferociously. His business went bankrupt years ago. Luckily, his three children are all grown up and have their own family. Lao Yang spends his days between taking care of his bedridden wife, keeping a mistress, collecting debts and gambling with mahjong. Conflicts between Lao Yang and his children escalate.
A boy living with his grandmother in the mountains refuses to migrate in the new village. Everyday he prowls the cornfields and waits for his mother to come back.
A retired widow has her daily routine derailed when she starts receiving mysterious, anonymous phone calls.
A coming-of-age story set during China's Cultural Revolution. 11 year old Wang Han finds himself entangled with a fugative and struggles to understand the adult world.
Lin, a sea captain, returns from a 6 month journey when he is told that his 25-year-old son Lin Bo has been gunned down by the police. In his quest to understand what happened, he realizes he knew very little about his own son. He starts a journey back to Chongqin, a city he once lived. He will understand the impact of his paternal repeated absence on the life of his child.
A divorced couple learns that the way to possibly save daughter, who is suffering from blood cancer, is to have another child. Problem is: They're both already remarried.
Chen Chuan (Francis Ng) is a simple man who seems to be cursed with bad luck all the time. Convinced by a blind fortune teller that he must eliminate the "villain" that is bringing him the ills, Chen vows to kill the person responsible for his misfortunes. But he soon has second thoughts when he suspect that the "villain" is none other than his own wife.
In the 1960s, encouraged by the government, a large number of families leave Chinese cities to settle in the poorer regions of the country, in order to develop local industry. The film's main character is a 19 year old girl who lives in the Guizhou province, where her parents have settled. That's where she has grown up, where her friends are and where she first experiences love. But her father believes that their future lies in Shanghai. How can they all keep on living together when they don't share the same dreams?
A film about Chinese underground filmmakers who were the first to express their truthful and realistic views on China from 1989 until today. It is also the first film to speak about the Chinese homosexual film scene. The documentary features Chinese intellectuals and directors such as Cui Zi’en, Jia Zhangke, Ju An Qi, Li Yu, Liu Bingjian, Liu Hao, Wang Xiaoshuai, Zhang Yuan.
The young adult life of Hong Yunsheng, nicknamed Little Brother, is seen as somewhat of a failure by those that know him. A Chinese national, he stowed away on a boat to the United States, where he worked as a dishwasher in the restaurant of a family from his hometown back in Fujian province. After two years in the States and after fathering an illegitimate child there named Fusheng, the child's mother Xuhui who is the restaurateur's daughter, he was deported back to China. Since, he has been floundering in life, which has caused a rift between himself and his older brother, who, with his wife, operate a street front diner and can't have children of their own. Little Brother relies on his new girlfriend, a woman he barely knows named Wu Ruifang who is a performer in a touring opera troupe, for emotional support. Despite Little Brother being the local poster boy for not stowing away, his friend named Monkey tried to do the same, but died on the voyage over due to exposure to toxic ..
A seventeen-year-old country boy working in Beijing as a courier has his bicycle stolen, and finds it with a schoolboy his age.
Spans 300 years in the life of one famed musical instrument that winds up in present-day Montreal on the auction block. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin derives its unusual color from the human blood mixed into the finish. With this legacy, the violin travels to Austria, England, China, and Canada, leaving both beauty and tragedy in its wake.
Two young farm workers, who like millions of others, leave their village to seek their fortunes in the city. Each chose a vastly different path to make it and become embroiled in misunderstandings, gangster brawls and police raids.
A young performance artist decides to make his own suicide his last work of art. On the longest day of the year, he plans to melt a huge block of ice with his own body heat and die of hypothermia. He calls this protest against the coldness of society "Funeral on Ice." Based on a true story.
The film follows a young man, A Xi who is recently released from prison. Once released, he seeks out his old girlfriend Li Xin who has since begun a relationship with La La a young musician. As the two men vie for her attention, tension and violence escalate.
Wang Xiaoshuai’s debut feature was one of the first truly independent Mainland productions. An incisive portrait of urban anomie focusing on two bohemian artists who drift through the miasma of old Beijing in the 1980s, The Days presents a stark disparity to the nostalgic tone and lush visuals of the Fifth Generation with its defiant DIY aesthetic, non-professional leads and resolute present-tenseness.
