Wayne Wang
The story about a Korean-American man who cares for his ailing mother and tries to master her traditional Korean dishes.
Mainland CID Officer JIANG ZIDAN (Wang Yang), nicknamed “BULLET”, infiltrates a Hong Kong triad group in an attempt to investigate a cross-border drug trafficking case and encounters Hong Kong narcotics inspector WAI CHUN-HIN (Him Law) and female officer CHAN YUET-KI (Cecilia So). The swift and smart BULLET is favoured by the triad leader WU KOON-YAU (Damian Lau), but he is not aware that CHUN-HIN is the trusted one of the triad’s deputy leader HON LONG (Gallen Lo). The kidnapping of WU’s daughter WU KA-LAM (Jolie Zhu) quickly stirs up long-standing conflicts between HON LONG and KOON-YAU and further fuels their antagonism. CHUN-HIN employs police resources to rescue KA-LAM without authorisation and is dismissed, but in secret he still keeps in touch with narcotics officer SO CHING (Toby Leung). HON LONG, trying to arrogate all the power, does all he can, even in collaboration with outsiders, to get rid of any opposition or possible threat. On the surface, he works closely with BULLET and CHUN-HIN, but what lies underneath is indeed immeasurable power struggle, causing endless rivalry between the good and the evil, among these “frenemies”…
A retired cyber game player recruits a team of rookies to play in the national league.
Kenji and Aya spend their summer days in a Hotel. While she is doing her own thing, he tries to work on his novel. But then a few strange hotel guest arouse the curiosity of the couple...
Documentary about Cecilia Chiang, "the mother of the true Chinese cuisine."
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
A story set in 19th century China and centered on the lifelong friendship between two girls who develop their own secret code as a way to contend with the rigid cultural norms imposed on women.
A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor. A short meditation on a tall terror in the trees that shade shadowy giants from the glare of sanity.
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
A pregnant San Francisco Chinese teenage immigrant named Sasha tells of life in America.
The film follows Mr. Shi, a retired widower from Beijing. When his only daughter, Yilan, who lives in Spokane, Washington and works as a librarian, gets divorced, he decides to visit her to help her heal. However, Yilan is not interested. She tries keeping an emotional distance but when this finally fails she begins physically avoiding her father. He confronts her about an affair with a married Russian man and she, in turn, lets loose about all the gossip she'd heard as a young girl about his alleged affair with a female colleague back in China.
Hollywood Chinese is a captivating look at cinema history through the lens of the Chinese American experience. Directed by triple Sundance award-winning filmmaker, Arthur Dong, this documentary is a voyage through a century of cinematic delights, intrigues and treasures. It weaves together a wondrous portrait of actors, directors, writers, and movie icons who have defined American feature films, from the silent era to the current new wave of Asian American cinema. At once entertaining and enlightening, Hollywood Chinese reveals long-untold stories behind the Asian faces that have graced the silver screen, and weaves a rich and complicated tapestry, one marked by unforgettable performances and groundbreaking films, but also by a tangled history of race and representation.
After she's diagnosed with a terminal illness, a shy woman decides to take a European vacation.
A girl, abandoned by her mother when she was three, moves to a small town in Florida with her father. There, she adopts an orphaned dog she names Winn-Dixie. The bond between the girl and her special companion brings together the people in a small Florida town and heals her own troubled relationship with her father.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
In this adaptation of the Mona Simpson novel, single mother Adele August is bad with money, and even worse when it comes to making decisions. Her straight-laced daughter, Ann, is a successful high school student with Ivy League aspirations. When Adele decides to pack up and move the two of them from the Midwest to Beverly Hills, Calif., to pursue her dreams of Hollywood success, Ann grows frustrated with her mother's irresponsible and impulsive ways.
A Hawaii cop becomes the suspect in a series of killings after his would-be bride is murdered on their wedding day by a gang of bank robbers, and returns as a ghost, taking vengeance on her killers, the Lono Gang.
The story of Hong Kong, from New Year's Day to June 30th, 1997, when the British left their colony and turned it over to the People's Republic of China.
Auggie runs a small tobacco shop in Brooklyn, New York. The whole neighborhood comes to visit him to buy cigarettes and have some small talk. During the movie Lou Reed tries to explain why he has to have a cut on his health insurance bill if he keeps smoking and Madonna acts as a Singing Telegram.
Writer Paul Benjamin is nearly hit by a bus when he leaves Auggie Wren's smoke shop. Stranger Rashid Cole saves his life, and soon middle-aged Paul tells homeless Rashid that he wouldn't mind a short-term housemate. Still grieving over his wife's murder, Paul is moved by both Rashid's quest to reconnect with his father and Auggie's discovery that a woman who might be his daughter is about to give birth.
Three provocative short stories. An American in Paris seduces a young man only to have the tables turned; a tourist recovering from an accident is alone but far from lonely; and an exchange student decides to intervene when he sees the woman in the opposite apartment being tied, gagged and beaten by her lover.
Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.
A study in culture bridging, including ... a new US-born husband, trying to work within the traditional ways, a new China-born wife, eager to join the "dream" of America, two family-minded fathers, lots of gender-related social bifurcations.
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.
Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born, a naturalized citizen, and a recent immigrant—try to balance their personal goals and the expectations of the Chinese American community in which they live. The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back."
A highly critical documentary about the history of Asian-American actresses in Hollywood. Features interviews with pioneering Asian-American actresses and clips from classic films such as "The Thief of Bagdad", "The Good Earth", and "The World of Suzie Wong", interspersed with Asian/feminist sociological commentary.
An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.
In San Francisco, an immigrant Chinese widow welcomes the new year with some unhappiness: she's 62 now, she wants to make a trip to China to pay last respects to her ancestors, a fortune teller has told her this is the year she'll die, and a daughter, Geraldine, remains unmarried. Geraldine does have a boyfriend, but she's not sure she's ready for marriage, and, anyway, he lives in Los Angeles and Geraldine doesn't want to leave her mother alone in her declining years. Mrs. Tan's cheerful brother-in-law tries to help out. Is there any solution that will enable Mrs. Tan to hold onto her culturally-influenced and deep-seated hopes, yet keep those hopes from suffocating Geraldine?
Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.
A MAN, A WOMAN, AND A KILLER is the story of a small-time gangster (Dick Richardson) writing his journal in a Mendocino, California, farmhouse, as he awaits a hit man who is coming to kill him. In this first part of a trilogy, realities continue to shift between the story, and the actual making of the film, as seen through unscripted scenes, real-life narrations by lead actors, and the real relationship that developed on the set between Richardson and the actress (Carolyn Zaremba) who played his girlfriend. A bumbling, local librarian (played by Ed Nylund) is mistaken for the "killer" and plays along with the game.
