Wes Reid

When Frank finds his happy home under attack by a dangerous but largely unknown breed of shark, he’s enlists the aid of the world’s only “House Shark” expert and a grizzled former real estate agent to embark on a desperate quest to destroy the beast and claim back his life.

5.3/10

The recently deceased rise, feasting upon the living as a zombie outbreak spreads across the globe. In Central New York, a small Marine patrol, led by Seargent Ritter, tries to keep order.

4.4/10

When Sadie's husband is murdered by a vicious gang called "The Touchers", she finds she possesses a strange hidden power to aid her in her quest for revenge. A homage to Grindhouse/exploitation pictures of the 1970's.

5.9/10

Five teenage friends set out for the beach on their Spring Break vacation. Good times are cut short when one of the group, Carrie, contracts a deadly sexual transmitted disease during a bathroom stop. When they stop for the night at an isolated motel, the real terror begins when the STD virus starts running rampant, turning those infected into the living dead.

5/10

The race is on and everyone becomes a moving target when brothers of the hood come across counterfeit plates used to make US currency. The harsh realities of inner city turmoil become clear as friends become enemies, stopping at nothing to get their hands on the plates. As the rivalry escalates into an all out street war full of deceit and sabotage it isn't clear who will end up with the money, but the greed that drives them all will soon come to a head in a bloody showdown.

7/10

So you want to make a movie. You tell yourself time and time again, "I can write, direct, produce, star in, and edit. All I need is 4 "B" actors, 20 gallons of red paint and a monkey to work the fog machine. But what if their lives get in the way: meaningless jobs, families and bitch girlfriends? What if the actors laugh take after take and waste valuable time discussing other movies? Could you edit something together? What if your writers' main concerns are creating characters and dialogue that have depth? People aren't going to be listening to what's being said. They want to see a pair of tits tied to a tree. How can you make them understand the importance of completing your film? And what if everyone walks out on you? How far are you willing to go to finish your movie?

7.3/10

Clay is a killer. He walks the streets, picking his victims by fate. Behind his madness lies Sam, his father, a man who unknowingly raised a serial killer by filling his child's head with years upon years of evil stories, lies, bitterness, abuse and fear. Now Clay has grown up, and his father's vicious rule over him is headed to a certain end...

6.6/10

Set against the life in a prejudiced southern small town, with hilarious street-smart humor, the rules are clear- there are no rules.

8/10