Wiesław Gołas
Poland 1946. Militia looks for commander of anticommunist partisans called Grom (Thunder). It quickly comes out that militiamen have to discover a rat in their group.
1950, a small town in Poland. Not the best times for shop owners like Jozef Piasecki - obstacles from authorities, restricted wholesale supplies. Moreover, he constantly argues with his son, the 17 year old Witek. Witek experiences love for the first time. This should be a time of great excitement for him, but Witek, being rather anxious about the future, becomes an example of a youth generation growing up under the long shadow of Stalin.
City Bieszczady Mountains, 1946. Seven soldiers stop in a small town where should take place a wedding...
Modest editor, has shipped his wife and kids for the weekend, and is trying to relax in his house at the outskirts of Warsaw. His quiet evening is only disturbed by the accidental forecast made by a Gypsy woman, that at evening time he will murder a mysterious brunet.
Nie ma róży bez ognia title in Polish: There is no rose without fire, in reference to two mixed up proverbs – There is no rose without thorns, and There is no smoke without the fire – is a Polish comedy film from 1974 directed by Stanisław Bareja.
Falsely accused Warsaw art museum assistant goes into hiding as a woman.
An ambitious, enthusiastic young geologist is entangled in bureaucratic red tape when he tries to drill for oil. Frustrated with the situation, he torches an abandoned mill, ignores his girlfriend, and fights with his friends who do not share his exuberance about the project. The feature premiered at the Karlovy Vary Film Festival
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
In November of 1939, the British consulate in Norway receives documents saying that the Nazis are conducting secret rocket research in Peenemünde. But the British doubt the authenticity of the so called "Oslo report". Thus, the Germans continue their experiments unimpeded. At the same time, resistance groups from France, England, Poland, and Germany try to find and to sabotage the secret Nazi research base. When the first "V 2" rocket is successfully launched, the Allied commanders finally become interested in the "Oslo report".
Czterej pancerni i pies was a Polish black and white TV series based on the book by Janusz Przymanowski. Made between 1966 and 1970, the series is composed of 21 episodes of 55 minutes each, divided into three seasons. It is set in 1944 and 1945, during World War II, and follows the adventures of a tank crew and their T-34 tank in the 1st Polish Army. Although both the book and the TV series contain elements of pro-Soviet propaganda, they have achieved and retain a cult series status in Poland, Soviet Union and other Eastern Bloc countries. The T-34 tank Rudy with the identifying number "102", a German Shepherd dog from Siberia Szarik and to a lesser extent the crew Jan Kos, Gustaw Jeleń, Grigorij Saakaszwili, Tomasz Czereśniak, and their commander and mentor Olgierd Jarosz, as well as other heroes of the series, have become icons in Polish popular culture.
Kapitan Sowa na tropie is a Polish series from 1965 directed by Stanisław Bareja. It was the first Polish criminal series made after World War II.
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news.
At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.
Robert Wolanski came from Australia to Poland, to find a wife. He meet one girl from famous dance group "Mazowsze" and fall in love. But she says "I'm not loving you". Robert decided to kidnap her.
An actress travels from Warsaw to Paris and during the trip reflects on the last few years of her life. It goes back to the German occupation and her hiding of a fellow actor who has supposedly killed a collaborator.
A couple plans to spend a New Years Eve in a friend's empty apartment.
All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.
Film inspired by true events. Roman Jacenko, a small village local photographer, lives in a shabby garret, which serves also as his lab and studio. He loves Beata, nice clerk in a nearby bank. Having often observed established procedures of money transport to and from the bank, and having received some information unawarely revealed by Beata, he decided to rob the car with cash.
The movie is about the fate of Polish soldier named Kaleń who fought with UPA in 1945. Set in the closing days of World War II, the film recounts the adventures of the Polish soldier caught in the turmoil among the Polish Communist army, anti-communist underground and Ukrainian fascists.
A yeti in transit escapes in Warsaw, and a professor, assisted by a prisoner, go after him.
Mąż swojej żony (English: Husband of His Wife) is a Polish comedy from 1960 directed by Stanisław Bareja. The story of a newly married couple, Michał Karcz (composer) and sprinter Jadwiga Fołtasiówna-Karcz. Michał has to adjust to Jadwiga being much more famous and her fame and needs dominating their lives.
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group of Warsaw proletarians meet in a destroyed building, consisting largely of stairs, littered with newspapers. A song from a record introduces the film characters as dwarfed versions of personas from Shakespeare’s Hamlet: Hamles, Ofelka, Learcio. (EMK)
Two zootechnics students, Jacek and Marek, come to the Bieszczady (it's the Polish "Wild West"). Looking for a holiday adventure and income, they become "cowboys" on local cattle grazing. Instead of the expected romantic adventures and the male, hard life, their boredom is becoming their share. Only when Jacek gets a stallion Szaga, things take a different turn. He gains confidence, brags at a nearby bar, and seduces Valentine - the girl of the smuggler gang leader and Agnieszka - a member of a geological expedition.
The dark drama of a peasant family from the second half of the 19th century: Seduced by a municipal clerk (in exchange for a promise to release her husband from military service), the woman dies at the hands of her jealous husband.
Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.
