Will Keenan
Greetings from Tromaville follows the history of Lloyd Kaufman and Troma Entertainment. Lloyd, along with his partner Michael Herz, founded Troma in 1974. Troma is an independent film company that has produced edgy, bold, humorous, and sometimes "over the top" films for more than 40 years.
A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny's former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak's black-and-white Plus-X film stock.
Two clans of deranged males make the mistake of stalking four young women they assume to be easy prey, only to find out that at the stroke of midnight the tables will be turned and all hell will break loose.
Will Nitch is on a mission to achieve a transendental tantric sexual experience: a sustained orgasm. He begins to assemble a Secret Society of Women: women are, afterall, pivotal to helping a man to reach the cosmic blue lights. Will wants all the women for himself, and with the help of all the women in his life and his friend Chip, he plans a midnight tantric sex party; during which he hopes to climax to the point of reaching the mythical blue lights.
Jeff Allen just got a new job in one of Manhattan's wealthiest brokerage firms, Wolfe Brothers. Here young, good-looking stockbrokers make a lot of money by being particularly cutthroat. Jeff finds out that the real secret to their success is an animal instinct that is turning him into a werewolf, but it may be too late for him to get out.
Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.
When the notorious Diaper Mafia take hostage the Tromaville School for the Very Special, only the Toxic Avenger and his morbidly obese sidekick Lardass can save Tromaville.
Young Sean McNutt (Will Keenan) -- a slacker waiter who works at a Mafia-run Italian eatery with carping customers and thieving busboys -- is shaken out of his rut when his pretty girlfriend (Hannah Dalton) dumps him for a slimy yuppie. But Sean's plan to get his life back on track hits more than a few snags in this zany indie comedy featuring cameos by porn legend Ron Jeremy and Troma Studios schlockmeister Lloyd Kaufman.
A subject perfect for a sleazy talk show turns into something much deeper as the participants of a documentary become aware of the filmmaker's purpose.
An agit-prop edutainment ho down featuring a bevy of warrior lapdancers struggling to overthrow corporate state capitalism and rancid criminal globalisation through amateur wrestling, gun juggling and anarchist debate.
TROMA crew are the only folks capable of stopping a crazed hermaphrodite from continuing its violent rampage!
The film's plot centers around Manhattan, in 1995. All mental hospitals must cut their patient load by 1/5. LaRue (Will Keenan) is sent out onto the streets with a chronic reading disorder, and sent to the Love Hotel (where most of the inmate are being held). There he falls in love with a mute girl, who's obsessive mother dominates her life. To top this off, LaRue is given a roommate with turrets syndrome, and is chased by a prehistoric worm that inhabits peoples bodies and mutates them. This film is, to say the least, a crazy piece of work. Brilliant cinema, and creative genius at its best. The film's story is original, and dazzling. The FX, though budgeted, are impressive and effective. And the acting and scripting of the film is seamless.
A modern, punk adaptation of Shakespeare's classic. Told irreverently, this film attempts to impact the viewer in the same way theatre-goers were effected in Shakespeare's time. Bawdy, Violent, Humorous, and Romantic.
