Willem van de Sande Bakhuyzen

Rising, rather autobiographical novelist Giph has a hot girlfriend, doctor and model Samarinde. His crude, domineering and progressive mother Ria's suffering an incurable decease in which she suffers from paraplegia. Her inevitably ensuing death is brought forward with euthanasia. Giph is struggling to handle the situation with his mother. Shortly after his mother has passed he away, he decides to join his fun loving friends on La Palma for a holiday. There Samarinde tells her boyfriend she's expecting his baby

Years ago, Lepel's parents left an hot air balloon world tour. He stays with granny Koppenol, a mean bitch who constantly exploits him for domestic chores, in her buttons shop and even as accomplice in the department store where she steals the buttons from clothes. After she won't even leave him the balloon kind salesman Max gave him, Lepel, now 9, runs away. He meets Max's slightly older daughter Pleun. Schoolmaster Bijts is also looking for him, but only as arithmetics talent for an academic schools contest. Max accidentally finds out the sad truth about Lepel's family.

Anna is a vital woman who is married and has two daughters. She picks up her old passion of writing again after frequent requests by a colleague and a friend, but she had not foreseen the consequences of family and friends reading her stories...

Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.

The Enclave is a three-part series directed by Willem van de Sande Bakhuyzen, about the fall of Srebrenica and the Dutch government's failure to protect the town from attackers. The series originally aired by Netherlands Public Broadcasting. The series was made in 2002. It has since been condensed into a movie and is regularly shown on US free satellite network LinkTV. In the original series, each episode describes the Srebrenica massacre in three different points of view and how it continues to control the characters. In the movie version, only two points of view were shown. The following episode descriptions were taken from the Dutch Public Broadcasting website.

Mother is dying and invites her family to spend a few days in a chalet in Austria. In the isolation of the snow-covered mountains, old wounds are reopened and the family ties crumble steadily through quarrels and irritations.

Met o.a. de balk, de onderwaterscene en de zeilramp Bandkaai is het zesde theaterprogramma van de Rotterdamse theatermakers Martin van Waardenberg en Wilfried de Jong. De typische Waardenberg en de Jong aanpak isl in Bandkaai zeker weer te zien. Performance afgewisseld met miniatuurtjes van toneelspel. Grootse en wezenloze decorstukken. Schoonheid maar ook afbraak. Harde klanken naast stille beelden. Fysieke uitputting en tevens serene rust. Chaos en orde tegelijk. Waardenberg en de Jong zijn niet te vangen.

The three very different men in this film have become friends out of their common dissatisfaction with their lives. Beard is now more or less a street person since his wife left him. Before that, he was a social worker. "Foureyes" is a nebbish science teacher, who can't get anyone to take him seriously -- certainly not his students. He seeks solace in the quiet of the stars, which he views in his telescope at night. Finally, Gerdo is a fellow who is a master of many trades, successful at almost everything he does, except in his own eyes. Each new challenge proves unsatisfying when met. The only thing he wants is the one thing he can't bring about: the return of his old girlfriend, who left him for some boring civil servant. He sees her everywhere, and images of her haunt him constantly. (allmovie.com)

At the end of WW II the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.