William Job
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John 'Joe' Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as 'What the Butler Saw' and 'Loot', Halliwell begins to feel alienated and the pair's future looks increasingly uncertain.
A reporter Mullen 'stumbles' on a story linking a prominent Member of Parliament to a KGB agent. In fact it is also linked to a near Nuclear disaster involving a teenage runaway and an Americal USAF base. Has there been a Government cover-up,Mullen teams up with Vernon Bayliss, an old hack, and Nina Beckam the MP's assistant to find out the truth.
Fresh-faced young Michael Rimmer worms his way into an opinion poll company and is soon running the place. He uses this as a springboard to get into politics and in the mini-skirted flared-trousered world of 1970 Britain starts to rise through the Tory ranks.
In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.
Britain's biggest pop singer, Steven Shorter (Paul Jones), receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie (Jean Shrimpton), is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.
