William Layton
King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.
Two former students of a strict religious school decide to return there during the summer holidays to make those who were their teachers experience all the suffering they experienced as students, beginning a sinister game in which the buried violence, the dark traumas of the past and the desire to heal old wounds will lead them to an unexpected climax.
An unstable young woman commits crazy actions both inside and outside the mental institution in which she lives.
Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.
The particular storyline concerns memory, specifically the transference of chief scientist Professor Ulop’s memories to a mentally vacant physical subject. Considering this is a banal idea, and more-or-less certain to go horribly wrong (the alternative atavistic title Beasts Shouldn’t Look in the Mirror hints how), the visuals had better be good if this story is to keep the audience’s interest. And against expectations they actually are.
Three Vietnam vets have become so conditioned to violence that they have developed psychotic tendencies. They kidnap people, brutalize them, then turn them loose and hunt them like animals. However the father of one of their earlier victims is plotting a vicious revenge against them.
A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her?
Daniel is a member of The Organization. He is sent on an assignment to Bilbao to determine what has become of a lad his age, a former member. He takes over the boy's room in an odd rooming house. When he is given the photo of the boy's girlfriend, he is so taken with it that he puts off his quest. The Organization requires him to continue, however, so he tracks her down to a remote fishing village.
This western is set in Valencia, Spain at the end of the 19th century, and stars Terence Hill as a close-mouthed gunslinger. The bad guy is the local landlord and aristocrat (Fernando Rey), who horribly abuses the laborers in his community.
A promising goalkeeper of Real Madrid sees his chance when a teammate is injured and is summoned to replace him. But the misfortune is primed with him when an untimely car accident damaged her spine and is forced to give up that had to be the game of his life. Tired of so much bad luck, he retreats to a seaside hotel, where chance will go up to the stage.
Cayetana, her boyfriend Paco and Venancio, her foster brother, commit small thefts and, from time to time, spend a few days in jail. Until they meet with Federico, a thief who has traveled abroad and convince them that using European methods success is guaranteed. Paco then decides to act scientifically and seizes a hospital surgical equipment. When they want to realize, poor Venancio is forced to give an injection to a dentistry patient and, even worse, Paco has to pull out a tooth. And all that, before entering the operating room
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
