Willie Colón
When, in 1961, West Side Story hit the screens after conquering Broadway, it was the entire Puerto Rican community of New York, ostracized and deprived of the American dream, that feverishly gained visibility. From Spanish Harlem to the Bronx, where poverty, drugs and gangs are rampant, Latino music and dance will then carry the identity revolution, the barrio setting itself on fire and undulating to Afro-Caribbean rhythms, led by "the king of timbales" Tito Puente. Soon mixed with soul, jazz and blues of the black neighbors, who share suffering and stigma of racism, the genres multiply: mambo, rumba, cha-cha-cha, merengue, boogaloo. All the Hispanics of Central and South America joined the movement.
The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.
Concert in Venezuela at the July 1998 under the AMNISTIA festival. Here Ruben forgets a part of the lyrics and the musicians, although they still play, are surprised at what happened. TrackList 01. Que Sera 02. Pablo Pueblo 03. Idilio 04. Pedro Navaja 05. Gitana 06. Buscando Guayaba 07. El Gran Varon 08. Nacimiento De Ramiro 09. Plástico 10. Plantacion adentro, 11. Homenaje a Hector Lavoe
Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Singer-turned-boxer Andy 'Kid' Clave signs a contract with a shady promoter Joaquin Vargas. But Clave turns against Vargas when the promoter's thugs kill Clave's girlfriend when he thinks about backing out of the contract. While seeking a way to get revenge against Vargas, Clave learns that he has a blood clot in his head. But nothing will deter him from getting his revenge and making a shot at the title.
Through choreography, it offers the representation of a baquiné or a Puertor Rican child's wake.
Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.
