Wishing Chong
Set in the 1970's in the Kansai region of Japan.. Yong-Gil is Korean, but he moved to Japan and settled down. He runs a small restaurant named Yakiniku Dragon. He is married and has three daughters: oldest daughter Jung-Hwa, middle daughter Yi-Hwa and youngest daughter Mi-Hwa. Oldest daughter Jung-Hwa is dating Tetsuo, but they break up. Middle daughter Yi-Hwa loves Tetsuo and marries him, but Tetsuo still loves her older sister and they divorce. Youngest daughter Mi-Hwa wants to become a singer, but she is in love with a married man.
A nostalgic human drama based on Dazai Osamu Prize winner Tsujiuchi Tomoki's novella. Set in a declining coal-mining town in 1950s Fukuoka, the story depicts a rambunctious but pure-hearted young boy in love with an older woman. Director Hirayama Hideyuki and writer Chong Wishing, both from Begging for Love (Ai o kou hito), join hands again to make this film. Michiyo (Koyuki) has left Tokyo for Fukuoka with her son Mamoru (Ikematsu Sosuke) after divorcing her husband. The story follows Mamoru's memories of his time spent with the notorious rebel Shinichi (Ishida Takuya), who stood up for him against bullies.
A Japanese film by Hideyuki Hirayama, Lady Joker is a detective thriller with elements of social commentary on Japanese society that is based on the 1997 bestselling novel by Kaoru Takamura.
When pregnant lunchbox factory worker Yayoi has finally taken all the abuse she can handle, she strangles her brutish husband and disposes of the body parts, piece by piece. She's soon joined by three down on their luck housewives who murder their own husbands and find various ways to hide the evidence.
Benkei, a master fighter and killer, vows never to take another life after his conversion to Buddhism. His faith in pacifism, however, is shaken and ultimately broken by the attacks from a trio of fighters known only as "the demons". Taking up his sword once more, he sets out to end their murderous terror.
A virginal boy travels with three hookers to a small island to collect his estranged father's washed up and sun-bleached bones.
During a quest to find a Taiwanese father's grave, disturbing memories of child abuse are aroused.
Ethnically Korean Japanese filmmaker Yoichi Sai directs this madcap crime comedy. Nakayama (Goro Kishitani) is a suave police detective who doesn't play by the rules. He busts a drug ring, but not before sampling a few of the wares, and he closes down an underaged prostitution ring after enjoying the company of a school girl hooker. One of duties is to shake down sniveling Korean gangster Hideyoshi (Ren Osugi) for information. In spite of their positions on opposite sides of the law, the two discover that they share a fair amount in common. A disregard for the law and the love of a comely prostitute from China named Momo-chan (Makoto Togashi). Though Hideyoshi is running an illegal alien smuggling ring with her and has lusted for her from a far for quite a while, Nakayama manages to bed her first. When she does finally appear in Hideyoshi's bed, she's unfortunately a corpse.
Chunba and Kotetsu, grows up in the working class neighborhood of Kishiwada in Osaka in the mid-seventies. Their life in school is a never-ending series of fights and reprisals against rival gangs landing them in trouble with organised crime and in the juvenile court.
A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.
The ambition of a man and a woman who try to steal 20 million dollars in an American military vault
