Wolfgang Gasser

Vienna before the First World War: Clarissa Schuhmeister grows up in the monastery. Strict discipline determines her life until she meets the Frenchman Léonard and falls in love with him. Just when she expects a child from him, the First World War tears the happy couple apart. Out of pragmatism, Clarissa marries Gottfried, a deserter, with whom she makes a painful yet realistic agreement so that he will not be sent back to war. But she never feels love for him because she can not forget Léonard.

5.6/10

A woman discovers that her husband is having an affair. She demands a divorce, her husband does not agree to it. She decides to sleep with ten men, then her husband will surely divorce her.

4.3/10

The deportation of 4000 Jews from Budapest to Auschwitz in July 1944, as told by George Tabori, and how the narrator's mother escaped it, owing to coincidence, courage and some help from where you'd least expect it.

6.8/10

A fantasy movie directed by Ernst Wolfram Marboe.

Heldenplatz centers on a Jewish family in the Vienna of 1988. The main character, Professor Josef Schuster, a mathematician, who can no longer stand the anti-Semitism he still finds in Austria 50 years after the Anschluss – commits suicide by jumping out of his apartment window onto the historic Heldenplatz before the play begins.

8.3/10

A neo-Nazi organization is recruiting in the 1980s, and two youths of high-school age join for similar reasons, despite class differences. Thomas is the son of a self-made industrialist father and a scolding social-climbing mother. He attends private school and has a brother who's an accomplished musician, but neither can satisfy mom's constant demands for school and social success. She belittles them, and there's incessant bickering at their table. Charly, a dropout, is the son of an abusive, alcoholic laborer. In the youth group, each finds order, respect, camaraderie, and adults who seem to value them. Where do domestic abuse and sanctioned political violence end?

6.6/10

This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.

6.9/10