Wolfram Koch
Dr. Joachim Glahn is the presiding judge at the Berlin district court and is known for his explicit sense of justice and truth. His daughter Luise is now embarking on the same career path and has just been admitted to law school. But then Luise then Luise is kidnapped and Glahn gets into an ethical-moral conflict: he should go beyond the limits of the law and set a murderer on the loose or he won't see his daughter alive again.
Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.
The senior investment banker Jochen Walther is at the peak of his career at the Deutche Bank. He just finished the deal of his life along with his personal assistant Tom Slezak, when during the celebrations he suddendly jumps from the roof of the bank's headquarters in Frankfurt. Was it suicide or even a murder?
When a high-flying business man apparently commits suicide, the press speculate about his private life but his wife, Nora, believes there to be something far darker at play. Slick, edgy banking thriller exploring the testosterone-fueled, cut-throat world of the financial industry.
One year after Stine's husband died, she reclusive lives with her daughter Stephanie in a suburban villa which falls into disrepair. She encounters the charming craftsman Roger, who makes her an offer right on cue: He consents to carry out repairs as much as necessary, which have to be paid back, only when Stine has the ability to. Instead, he just wants to get a warm meal and an shower at times. Eventually one night. Stine accepts that deal despite she risks her daughter's relationship. Written by Anonymous
Thomas Müller is spotted by a marketing agency for his exceptional normality.
In the middle of the night, a special police force storms the bedroom of management consultant Juliane Schubert. Just returned from a business trip to the Middle East, Juliane is questioned after her arrest by the commissioners Theissen and Hindrichs: They should have rented apartments and cars that should serve to prepare a terrorist attack. The evidence is overwhelming. Has anyone gained access to the businesswoman's computer, stolen her virtual identity and used it for criminal purposes?
A man comes to pick up his son at his ex wife's house, just like every weekend.
In this acutely observed and sharply written debut feature from director Sylvie Michel, the contrasting parenting philosophies of a well-to-do divorcee and his immigrant cleaning lady becomes an angry debate over deeper issues of social class and cultural values when their teenage children disappear after a night on the town. (TIFF)
An unusually hot summer. Fourteen year-old Wanda moves with her family from Berlin to Switzerland. Everything will be better here. The move is meant to heal the open wounds of the family. Anna, the mother, has lost her self-confidence due to an affair her husband Joachim had in Berlin. The big house with the overgrown garden and the pretty small town all seems like one big promise. But the new beginning is difficult for everyone. Joachim, 40, throws himself into family activism while Anna, also 40, tries to strengthen the family with new rituals.
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.
Forensic Pathologist Dr. Robert Kolmaar and Detective Inspector Johannes Hoffer investigate a case of multiple deaths in a neurological hospital.
"The Last One Put Out the Light" - The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because over German craftsmen are in demand. The three with 17 other desperate people are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.
A picturesque blonde beauty constructs an impenetrable emotional wall that neither her parents, her boyfriend, nor her colleague can penetrate. Hannah (Nina Hoss) may appear perfect on the surface, but her inner demons are slowly consuming her. A photo laboratory developer who rarely ventures out of her well-fortified apartment, Hannah finds that her repressed memories are unexpectedly jogged by a series of old photographs.
A senior prosecutor returns to his hometown of Wiesbaden and faces his past during a criminal case.
After the tragic accidental death of her sister, which she has not seen since a dispute 18 years ago, the architect Sarah suffers from guilt feelings: She believes she could have saved Susanne with a liver donation. To at least do something for Susanne's husband Max and the three children, Sarah drives to the family's farm in the Vogelsberg. And has to cope with a tragedy whose cause lies in her old love for Max. Sonja Kirchberger and Jochen Nickel play the lead roles in the quietly told, melancholy TV drama about the destructive dynamics of family relationships.
Based on the best-selling novel by Nobel-laureate Heinrich Böll, this drama is a passionate indictment of Catholicism. Hans Schnier (Helmut Griem) has earned his living as a clown, though he is in fact a very covert sort of social critic. After enduring a difficult childhood in Bonn during the Second World War, including his mother's fanatic Nazism, he is appalled to discover many of the people he knows and loves swept deeply into involvement in the Catholic Church.
