Yasujirō Shimazu

Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.

OSHINO, the beautiful daughter of restaurant owners, is in love with SHIRASAGI the painter. But there is another young man, the son of a moneylender family, who is desperately in love with Oshino...

Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.

A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.

7.3/10

A young student of traditional dance falls in love with a handsome young man who visits the dance school in order to take photographs.

7.3/10

Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.

7/10

Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.

6.4/10

A businessman’s daughter falls in love with one of her father’s employees.

6.2/10

Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.

7.1/10

A melodrama about a businessman's relations with the three women in his life.

A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

6.9/10

Keitaro is a law student and Yaeko s a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.

7.1/10

The poor novelist Yamamoto is writing his novel, determined and with a headband around his head. With him, the novelist who is always in trouble paying his bills, is the girl Saya who becomes the model for his novel. Saya however is in love with a young driver. When he is forced to move into a spa town as the result of the jealousy of another man Saya is terribly sad. But with the help of Yamamoto the driver's rival can be revealed and Saya can finally be with her beloved.

A silent movie by Yasujirô Shimazu.

5.4/10

Early Japanese sound film, a remake of Josef von Sternberg’s DOCKS OF NEW YORK set in Yokohama.

6.3/10

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

Directed by Yasujirô Shimazu.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

The National Museum of Modern Art, Tokyo holds two prints of the film.

An early Japanese film

6.6/10