Wang Yi

The two young men fell in love at first sight and quickly got married. After getting married hastily, they found that their personalities were not appropriate. Their daily life changed from a show of affection to a quarrel. Their marriage was about to end, but because of a sudden car accident, they began a never-ending sadomasochistic race. Only when they are truly lost can they know how to cherish. The two people who were forced to separate because of the car accident slowly realized the importance of each other, and what really waited for them was a bigger problem.

One evening, a student was walking alone at his campus, she saw a girl in school uniform walking in front of her, she try to call her, the girls turned her face, and what she saw is a strange old woman's face!. Since then, all student encounter a lot of strange events that might have something to do with the campus's history. What's happening actually?

Pubescence is a 2011 Chinese teen sex comedy film directed and written by Guan Xiaojie, starring Zhao Yihuan and Wang Yi.[1] It is the first film in the Pubescence theatrical series. The film was a box-office hit and spawned three direct sequels: Paradise Lost, Pubescence 3, and Pubescence 4. It was released on 20 July 2011. The film is regarded as China's American Pie.

A key Fifth Generation work released during the second phase of Deng Xiaoping's social and economic reforms, this robust social satire delightfully depicts the clash between the rising class of rapid industrial modernizers and old Party cadres with a serious Cultural Revolution hangover. The film chronicles the Kafkaesque predicament of a bumbling factory translator who is suspected of industrial espionage after sending an innocent telegram that is intercepted by a militant snoop. (The "black cannon" of the title refers to the missing chess piece the hapless hero is trying to locate.) Placed under investigation and reassigned to a less sensitive department but never informed of the reason for his demotion, he petitions to get his job back, sparking an increasingly obtuse and hilarious series of Party meetings, set in a boardroom straight out of German Expressionism.

Based on the famous novel of the same name by well-known author Ba Jin, this movie traces the decline of a large, wealthy family in the early part of the twentieth century. The story focuses on three brothers and how they respond to the expectation that they will each marry women whom their grandfather has selected for them. The lure of family money on the one hand and modern individualism on the other plays out differently among the young men. Critics consider this movie an indictment against feudal ideas.

Have no other info than it was part of Hong Kong Film Awards' 100 Best Chinese Movies.