Yim Soon-rye

A story about a diplomat and a national intelligence service agent who struggle and risk their lives on foreign soil to save Korean hostages that have been abducted in the Middle East.

Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger...

Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

An impossibly cute and thoroughly touching omnibus of 4 short fillms about how humans can elevate their own relationships through bonding with animals - featuring some of the cutest puppies and kittens ever on the silver screen!

Formerly known as "How to Travel with a Cow" A bachelor poet lives in a remote area of Kang-won province. He goes to sell a cow but the price is too low. He gets a call from his former lover, who married his friend seven years ago. His friend has died, and she asks him to come to the funeral. He goes to the funeral with the cow. The man, the girl, and the cow leave on a journey.

Seung-yun is stressed out because he is sent to several private academies after school. His mother reproves him for not living up to her expectations. His father takes pity on him for being nagged on by his mother all the time... Ju-hun, a new employee at a company, is a vegetarian and cannot drink alcohol at all. Chang-su thinks Ju-hun is eccentric and is displeased with him... Su-hyeong sent his son and daughter with his wife to study abroad, but he grows tired of staying alone in his empty house... SONG has lived with her authoritarian husband without any serious problems, but she does not want to stay with him anymore. GWON, an old man, pretends to be calm in the face of his wife’s request for divorce. But actually he can’t do anything by himself... These are not unfamiliar fictional events but rather they reflect the lives of ordinary people in Korea at the present time. Through their stories, shows us how a society imposes normalcy on its people in their daily lives.

Korea and Denmark had shared four Olympic titles for women’s handball from 1988 to 2000, with the Danes winning the latter two. The two dueling teams met again as finalists in 2004, and the pulsating game continued long and hard with a tie score leading to two killer overtimes and a penalty throw showdown.Korea lost, but won what many call a silver medal that shines more brightly than the gold. At the time, Korean women’s handball was at its worst state ever, and players who should have been retired joined the national team to face the indefatigable Denmark. It was a miraculous achievement _ “the greatest moment of our lives” (the film’s title in Korean).

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. After the success of the first anthology, a second series, If You Were Me 2, was released this year. Five notable Korean directors - Park Kyung Hee (A Smile), Ryoo Seung Wan (Crying Fist), Jung Ji Woo, Jang Jin (Guns & Talks), and Kim Dong Won - participated in the second installment, creating shorts on human rights issues of their choosing.

This debut feature from female Korean director Park Kyung-hee tells the story of a photographer whose life is changed indelibly when she discovers she has a rare disease which causes tunnel vision and possible eventual blindness. Divided into four sections, it depicts the break-up of her relationship with her boyfriend, her problems with her old-fashioned family, her attempts to deal with her disease through her art and, finally, her desire to fly an airplane before she loses her sight entirely.

Waikiki Brothers is a band going nowhere. After another depressing gig, the saxophonist quits, leaving the three remaining members to continue on the road. The band ends up at the lead singer's hometown, which was a popular hot spring resort in the '80s, but the return home is filled with reservations of previous and past disappointments, a lost love, unemployment and tragedy.

Three young men face the university entrance exams upon which their economic and social fates depend.

Jeong-ja isn’t especially pretty or talented. She’s an old maid in her thirties who works at the ticket booth of a theater on the outskirts of town. It’s a hot summer’s day, and because Jeong-ja cannot take time off from her job, she waits for her blind date at the theater ticket booth all day long. But the date does not show up. She follows a handsome stranger who comes out of the theater. At that moment, there’s a thunderstorm. The man disappears and Jeong-ja returns to the theater, drenched and there, she finds her blind date waiting for her.