Yōko Mihara
Yumi, an exceptionally beautiful call girl, has a close call with death when a client forces her to die with him. An old cop pities her and agrees to be her guarantor so that she could join a Nishijin weaver workshop. Yumi wishes to put her dark past behind her, but she's exposed by an ex-client. Despite the unwavered support of the old cop, she sees no way out and uses her seductive body again to get what she wants. Hiroyuki, her co-worker at the weaver workshop, is a pure-hearted young man who may redeem Yumi from her deadly path as a femme fatale.
A young geisha/prostitute working in Tokyo's entertainment district earns a measure of reknown through her powerful vaginal muscles. This newfound fame, however, also earns her the enmity of a rival geisha house. The two houses choose to settle the dispute through a series of athletic contests between the young star and the rival house's main attraction, with the backing of the houses' wealthy patrons as the prize.
Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.
Movie based on a book by Kakou Senda about the use of women as sexual slaves by the Japanese Army during WW2.
The Kanto Gypsies, a tough girl gang, hide out from the law in the middle of a disputed gang territory, where they end up getting kidnapped by sinister underworld thugs. After breaking free, the girls set their sights on one thing: revenge. Miki Sugimoto stars as girl boss Komasa, the ruthless and sadistic leader of the Kanto Gypsies who possesses more than enough brains to match her killer looks.
A nasty schoolgirl does what she pleases, under the protection of her father, who is the school principal. Another girl is not so nasty, but she is determined and tough enough to contest the girl's gang in a democratic vote - and win. That causes her trouble in school, just when her own father, who owns a truck transport company, is murdered in a fake car accident by an American mobster. Before the girl can react, her naive mother has signed over the company to the mobster, and accepted him as her lover. Repentant, the mother starts drinking, and the good schoolgirl ties up with a halfbreed young man, who also has a grudge against Americans. He starts spying on the gangsters, discovers they are dealing in drugs, but is killed before he can report it. The good girl will lead her team in a desperation assault on the mobsters - and the police will eventually arrive just in time for the showdown.
Three new students at a super-strict girl's school must face off with a repressive school administration, the sadistic, murderous student discipline brigade and corrupt politicians over the murder/suicide of one of their friends. They're approached by a blackmailer (Tsunehiko Watase) who promises to help them exact vengeance in exchange for setting up a corrupt local politician, and aided by a independent Yakuza biker chick (Reiko Ike).
Hiroshi (Tatsuo Umemiya) has the biggest penis in all of Japan and everyone who touches (or is touched by) it, is blessed by good fortune. After buying his sister a washing machine for her wedding, he travels to Tokyo, where he must help his friend Masa out of a half-million yen debt. Among other hijinks, he becomes a penis god in the process.
Delinquent girl boss meets and conflicts with an orphan girl who lives an isolated life after the dramatic deaths of her parents. She plays the piano, but stands up against her lecherous guardian, who is also a school official.
Natsuko is so good at using that super-strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black.
A con man sets up a consulting firm where he poses as a doctor specializing in curing people of their sexual problems and hang-ups.
The great Bunta stars as a gangster who is sent to jail for the sake of his gang, but when he’s released he finds everything completely changed and his gang has swept him aside for being too violent. He tries to start a new life with his two ”brothers” but can’t seem to escape old affiliations
Kiyohime, a daughter of Tokugawa Ienari is married-off to Tadateru Ogura, the lord of a Kyushu clan. However, the lord's sexual inexperience and Kiyohime's strict morals lead to significant crisis in their marriage. To improve his sexual prowess, the lord is introduced to Sandra, a French woman held captive by usurer-smuggler Hatakaya. This results in the lord's choosing Sandra as his mistress. Kiyohime's attendants see this move as an insult and have Sandra beaten and imprisoned. Nevertheless, Sandra escapes with the help of Morita, a retainer of the lord. Out of bitterness and as some sort of revenge, the lord imposes a sex ban on his subjects.
After being cruelly set up by a crooked detective named Sugimi (Isao Natsuyagi), whom she loved, Nami Matsushima (aka Matsu the Scorpion) (Meiko Kaji) is sentenced to do hard time in a women's prison, which is run by sadistic and horny male guards. There are 700 other prisoners, making Matsu number 701. Her crime was making a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police Headquarters because he used her to win favor with the Yakuza. While in prison she meets inmates like Yuki Kida (Yayoi Watanabe) who was committed for fraud and theft, Otsuka (Akemi Negishi), jailed for burglary and extortion, and Katagiri (Rie Yokoyama) who has been impounded for arson and illegally disposing of a body.
Bunta Sugawara replaces Koji Tsuruta as the leading man for this sequel of Okoma, the Orphan Gambler.
Comedy about a car salesman who invents a condom against premature ejaculation.
Hoodlum group helps fishermen against firm polluting their fishing ground.
Reiko Ike stars as Yuki, a girl who has lesbian sex with Miki Sugimoto at a Catholic school during the opening credits. She is then raped by her mother’s sleazy boyfriend, quits school, leaves home and burns through a number of sugar daddies before eventually meeting a nice guy architecture student. Will their love be strong enough to defeat (or accept) her fuckmad body?
Oryu searches for blind child she left behind and get involved in a Yakuza turf war that takes place in the Tokyo Theater.
Dr. Mikami is an elderly somewhat clumsy, very popular therapist, his patients turn to him with all possible and impossible questions. Because Dr. Mikami's specialty is sexual clarification... The world's best-selling sex literature was filmed here in a manner close to the original. And the openness of the image shows the shocking conflicts of young people in scenes that were never filmed. Shocking documents about sex life from the doctor's office.
Though he has come from a rough background on the streets, Muraki (Horoki Matsukata) quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.
A tragic love story involving the 5th Shogun of the Tokugawa dynasty and a woman who became one of his concubines.
The three henchmen join forces to challenge the brutal gang that is trying to control the city of Izu in Shizuoka during the early Showa period. Representatives of three different yakuza gangs - Tatsuo Umemiya, Tomisaburo Wakayama and Koji Tsuruta celebrate male friendship and male chivalry in action.
A look at the lives of a troupe of geishas working in a small seaside resort town. For the most part, their lives consist of greeting boatloads of oversexed businessmen and providing bawdy entertainment through the evening followed by private companionship at night, interspersed with occasional catfights with the rival geisha house. Their routine is suddenly thrown off by the appearance of an abandoned baby in the geishas' dormitory, followed by its disappearance only a short time later. Who could be responsible for such a thing?
Atsumi Kiyoshi, famous for his role in Torasan, stars as Aoki Goichi, a veteran train conductor who dedicates himself in providing quality service to his passengers. With his many years of experience, he never fails to find solutions for any troubles that occur along the way. A comedic drama revolving around the lives of those who ride the express train.
Bungo, fulfilling his duty as a yakuza, kills a man from a rival gang. Since then, he has escaped the clan's vengeance by staying on the road with his son Kenichi. Tired of running, the two settle in a mountain town. Bungo finds work as a lumberjack for the Iwasaki family and Kenichi becomes a student at the local elementary school. Regrettably, their good fortune doesn't last. The yakuza boss, Tomitaka, wants control of the town's lumber and is willing to destroy the Iwasaki to get it. Natsue, Kenichi's estranged no-good mother, returns wanting to take part in the boy's upbringing. And shortly thereafter, a mysterious stranger arrives in town to lay claim on Bungo's life...
The son of a prominent member of a fishing community returns home after a stint with the yakuza to find his father has died under orders of a local gang leader. He sets out to avenge his father, keeping his plans secret from his mother who is cold to him since his perceived abandonment of the family. This wonderful, if little-seen, Fulasaku gem deals with family, community and what it means to do right by both.
Tokijiro has the unfortunate duty according to the code of the gamblers to join in the fighting when afforded a night’s stay and meals at the home of a town boss. Though he dislikes killing, the strength of his swordsmanship will be tested time and time again in the bloody tale.
A number of recently released prisoners become involved in a racket with a rancher who is a rival to a neighboring landowner and wants to use the convicts to seize his ranch. The rancher does not know, however, that he had years before killed the parents of one of their number.
Legendary swordplay filmmaker Hideo Gosha's Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.
Two convicts just released from prison find a green bauble filled with diamonds — and try to prove they didn't steal it.
Many outlaws are gathered at the front line of the Japanese Army in a shock troop.
Experienced shipyard worker Shimazaki gets an offer of free lodging from his employer in the company seaside rest house if he agrees to see to its running. After moving in, Shimazaki finds out that this will also mean taking care of a flock of youngsters, and he soon becomes their none-too-successful warden. At work the boys are disciplined, as soon as they return to their dormitory however they turn into an unmanageable mob.
Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.
Sugimoto Gonkuro is travelling along from Tosa to Edo. On his journey he will meet both good and bad people.
A omnibus movie consisting of the three parts: "Kechinbo", "Yowak" and "Kôshoku".
It tells the story of a couple who fall into a trap set up by a sinister organization. One of them is a guy who is framed for the murder of his lover. The other is a woman pick-pocket who is entrapped by the organization's schemes involving their crimes. Fate places them together, and they start to investigate the prostitution ring run by the organization...
Two young crooks who scam betters in the race track are employed by a yakuza gang called the Shigemori Syndicate to steal a shipment of handguns from a rival gang. Somewhere in the process they find themselves on the run from their own gang and one of them becomes himself romantically entangled with the boss's girlfriend. An ambitious underboss of the gang offers them a way out if they murder the previous boss but things don't turn out as planned (for everyone).
Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.
The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?
From the king of Japanese exploitation films comes a criminal drama told in a semi-documentary fashion. The murder of the chief official of Kobe city's Customs triggers an investigation of a prostitution ring called the 'Yellow Line' that sells Japanese women. A hired assasin is betrayed by his organization, and kidnaps a woman who happens to be the girlfriend of a newspaper reporter.
Rumi (Yoko Mihara) and Emi (Masayo Banri) are sisters who dance nightly at the Blue Moon cabaret, which happens be the headquarters of a drug ring. Offstage, Rumi captivates the gang boss, Iwahara (Shuntaro Emi); while Emi attracts the portly club manager, Yajima (Saburo Sawai). Meanwhile their older brother Shinichi (Ryo Kuromaru), a seaman, is unwittingly assisting Iwahara with his drug running. When Shinichi’s ship is sea-jacked by another drug gang, an outraged Iwahara suspects him of treachery and has him beaten and confined in a dungeon-like basement. Rumi and Emi try to free him, but a gang hitman discovers them - and their attempt ends in failure. Now under suspicion themselves, the girls try to escape, but luck goes against them and they are taken to an island where Iwahara and his crew plan to ambush the rival gang.
The treasures of the Aoyamas were buried at the bottom of the sea when a large earthquake occurred years before. Yumi Aoyama is the only person who knows the location, but her family dies one after another through curious incidents, as if the family were under a curse. Yumi is surprised by the ghost of a dead sister who looks the same as the grim figure who jumped into the old well alter stabbing herself with a sword. Fearful that a similar fate awaits her, Yumi seeks the help of her friend Kyoko. Later the ghost appears before Kyoko and her fiancé, Detective Nonomiya. In a haunted cave, Kyoko and Yumi are in deadly peril from those who seek treasures of the Aoyamas.
Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...
The most controversial film ever produced by Shintoho, Magatani Morihei’s horror thriller Bloody Sword Of The 99th Virgin (Kyujukyu-honme no Kimusume) is set in the mountains of Iwate Prefecture - a remote area that might be described as the Ozarks of Japan. The mountain folk are depicted as superstitious, blood-thirsty primitives, which struck traditionally discriminated-against locals and others in their community as discriminatory. Probably as a result, the film has been seldom screened in Japan but, contrary to some speculation, it has never been officially banned.
Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.
First film in Teruo Ishii's Line series, also known by the literal translation of the title, "Secret White Line".
Director Teruo Ishi's crime action follows the investigative adventures of an undercover cop working with a prostitution ring. It's done in an unique documentary style.
The film marked Yōko Mihara's debut as the star of Shintoho's series of ama films, a role she took over from Michiko Maeda.
Nude models are being brutally murdered one after another. Is the painter with the dark sunglasses really the killer?
Desiring another officer’s new wife, a military police lieutenant fabricates evidence of treason that consigns the innocent man to torture and a firing squad. The lieutenant rapes the wife, but is haunted by bad dreams which after he is assigned to a battalion with the victim’s brother.
Japanese film released to commemorate the 7th anniversary of Shintoho's founding.
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
Buntaro, the president of a food trading company got tired of the day-to-day routine of life. The new secretary, Nobuko, suggested her "shacho-san" (the president) run away from the job. Nobuko took Buntaro to her home and introduced him to her own family as friend, "Sachio-san"...
