Yoshihiro Katô
Tetsuro Haga is a troubled gangster, living under the assumed identity Ise for ten years, to escape jail for gunning down his cruel adoptive father. His life begins to unravel when a journalist following him takes an interest in the wife of a boyhood chum, and the wife of another close friend takes an interest in Ise. A couple of murders later, Ise/Haga goes on the run and also sets out for revenge.
A successful Japanese movie director in his 60s becomes increasingly ill while working on his latest film. His family, friends, and doctor try to keep the secret of his terminal cancer from him, but it gradually becomes clear. Coming to terms with his own mortality is painful, and involves some major conflicts with his wife and the hospital staff.
Shun Nakahara directs this comic take on Sidney Lumet's 1957 classic Twelve Angry Men. Just as in that earlier work, this film takes place in a jury room and takes place in real time. The film opens as the jury is about to acquit the defendant -- a bar hostess who pushed her ex-husband path of an oncoming truck, supposedly in self-defense. Just as everyone seems to be in agreement over the woman's innocence, one bespectacled juror (Kazuyuki Aijima) -- no one is given names in this film -- voices second thoughts. Slowly, like an inversion of Henry Fonda's character in the earlier film, he sets about convincing his fellow jurors -- a group of nice folks who don't like thinking ill of people -- that the defendant is in fact a cold-blooded killer.
When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.
A carnivorous monster lives on the island of Sipang. A group of office ladies band together to fight it.
A stylish light comedy about the “Banana boys”— two boys who were born and raised in Roppongi who are still growing up.
Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.
Shohei Taguchi is a salaryman who works for a securities company and loves women like no other. One day, he plans to use the cash borrowed from the gangsters and snatch to repay his debt . However, Sayoko Mukai, who said that she used the money of the company for gambling , took over the money. Shohei and Sayoko plan a robbery and steal cash from the gallery, but another man steals it.
Yuichi Koga is an upper-class business executive, running his own adult video company, and living a successful life with his wife and daughter. Outwardly, his family seems really happy, but in reality Yuichi enjoys sex with everyone but his wife Chikako. One day, he gets a phone call from a woman named Sanae, an old elementary school classmate of his.
Tatsuhiko and Shofumi are hoodlums living in downtown Hawaii, who have flown out of Japan and entered the country illegally for a reason. The two make a living by trafficking marijuana under the pretext of selling tea leaves, but they are in a foreign land where they don't speak the language well.
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is an art and Gondo is, in effect, Rembrandt.
A Japanese schoolgirl witnesses the suicide of her close friend. In the aftermath she gets caught up in a world of sex trafficking after meeting a guy hiding his true intentions. Of course she falls for him before realizing the magnitude of the situation, complicating matters further. Eventually, her mother gets involved...
The life and travels of adventurer Naomi Uemura, who disappeared in Alaska in 1984. A member of the first Japanese expedition to reach the summit of Mt Everest in 1970, Uemura also accomplished several "firsts". He was the first man to reach the North Pole solo, climb Denali solo, and float down the Amazon river solo. In the film, Uemura returns to Tokyo after a stint in Siorapaluk in Northern Greenland. In Tokyo, he reconnects with an old friend and, over coffee, shares his life story - from his days as a college dropout to his successful expedition to the top of Everest.
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the course of the three-day funeral, which is held (as is customary) in the home. These incidents contrast old ways and new ways, young and old, ritual ceremony and true feelings, often comically, but sometimes with real poignancy.
One day, kindergarten teacher meets a novice magician and together they travel to another city to find love...
Naomi is a university student who is leaving for the US to study in a week; Shuichi is a washed-up gumshoe who's hired by Naomi's father to bodygard his daughter until she leaves. Shuichi finds the job annoying and wants to quit. But he also has a screwed-up ex and alimony to pay. Things go from bad to worse when Naomi and Shuichi stumble upon a murder which might involve the yakuza. They decide to find out who committed the murder but God knows what it will lead to.
