Yoshio Harada
Katagiri, a highly ambitious young detective, teams up with older detective Takiguchi, who is about to retire, to investigate a murder that took place by Sumida River. Katagiri is annoyed by Takiguchi's pushiness, but is surprised to hear that the victim was a suspect in the 300 million yen robbery.
A blind master swordsman attempts to lead a quiet life with his wife but he is provoked back into battle.
Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.
Hi no Sakana (火の魚, Fish of the Fire) is a Japanese novel by Murō Saisei; it was first published in 1960, and was later adapted into a single episode TV drama that was broadcast on NHK Hiroshima in 2009. The story describes the interactions between an elderly author and a young staffer from a publishing company as they collaborate on a book cover design for the author's latest novel.
Iki Tadashi is a military leader named who was captured by the Soviets during World War II. Treated as a war criminal, he was sentenced to many years of labor in a harsh Siberian detention camp. After 11 years of imprisonment, he is released. He returns to Japan and begins readjusting to life as a civilian, rejecting an offer from his former colleague to work on a defense project. Tadashi has decided to never involve himself in war again, much to the joy of his family. Instead, he attempts to set off on a new path working at a major trading company. --Tokyograph
Youjin is a quirky young man living in Aomori Prefecture, Japan. Yojin has a difficult time sitting still and can't focus on extended conversations. His life revolves around farming his grandmother's vegetable garden. Yojin experiences a new kind of feeling when he meets a pretty young lady named Machiko. The feelings are strong enough that he feels the need to be with her and gain her affection.
A humorous wedding story fueled by a rather no-good father and son, disguised as the old and new “good guys.” The father Nobuo, and his son Tamio, are unable to mature, unable to break the parent-child roles, have no sense of responsibility, and keep holding on to the past. The pair is overwhelmed by all the colorful characters around them telling them what to do. They go to strenuous and humorous efforts to make Tamio’s wedding an event to remember.
Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger's life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn't the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.
Based on the short story from the best-selling collection "Poppoya" by Jiro Asada, "The Invitation from Cinema Orion" tells the story of a couple's undying love for the cinema and each other.
The hero, Hyakkimaru is a wandering "demon hunter" whose extra body parts -- 48 to be exact -- were grafted onto his head and trunk by a herb doctor who discovered him as an infant, in a process that echoes "Frankenstein" and "The Island of Dr. Moreau." His warlord father gave the originals to 48 demons in exchange for power. When Hyakkimaru kills a demon, he wins back a body part. He is spotted in one of these battles, with a giant spider demon, by Dororo, a scrappy female thief who is fascinated by not only Hyakkimaru's prowess with the sword blade poking out of his arm but the new leg he grows after dicing his opponent. Is he a man -- or a monster? After hearing his story from an old minstrel, she decides to join him on his travels and find out for herself.
Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. "O" intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn. Keiko Kirishima is a cool, seemingly emotionless police detective, brilliant but off-putting. She's faced with two mutilated corpses who appear to have killed themselves, but she's not sure. A cell-phone number links the deaths. She calls on Akumu Tantei, a poor and suicidal young man who has the ability to enter people's dreams. He's reluctant to help. His past haunts him. A subconscious duel of terror and blood awaits the three.
In a poor district of Edo lives a young samurai named Soza. He has been sent by his clan to avenge the death of his father. He isn't an accomplished swordsman however, and he prefers sharing the life of the residents, teaching the kids how to write etc. When he finally finds the man he is looking for, he will have to decide whether he follows the way of the samurai or chooses peace and reconciliation.
Steel-worker Saito Tetsuo, driven by an unexplained anxiety, steals bike after bike to move away from his hometown to Tokyo. Through snow-storms and empty landscapes, the breathtaking photography allows us to look deep into the mindscape of a man searching for an answer - although the question itself is never quite articulated.
Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association
Jiro Kanzaki is an F3000 test driver blessed with acute sensitivity and breathtaking driving techniques. He's a daredevil who feels no fear driving at speeds that even top racers dare not attempt. But unexpected trouble forces this world-famous racer to leave his team and return to Japan for the first time in years. Until he finds a new job as a racer, Jiro decides to stay with his parents. What awaits Jiro there is his hardheaded father, his nagging sister, the 12 children of the foster home his father runs, a snobbish male nurse, and a stubborn female nurse who likes to daydream about her life.
The Isokaze, an Aegis-class escort vessel, sets sail on a routine training exercise, playing host to a platoon from the Fleet Training Group. No sooner is the Isokaze on open water, however, then the FTG reveal themselves to be terrorist stowaways who kill the ship's captain, send the rest of the crew overboard and take control of the vessel. The ship is carrying a secret biological weapon which the terrorists are now threatening to use to level Tokyo! Only a stowaway NCO, Sengoko (played by Sanada Hiroyuki from Ring and Twilight Samurai) is in a position to stop them - but does he really have what it takes to save the day? Playing like a cross between a sea-faring version of Top Gun and Die Hard, director Sakamoto Junji shows that it's not just Hollywood that can produce thrill-a-minute action spectaculars.
The film concerns the theme of self-imposed limitation and continues Matthew Barney's interest in religious rite, this time focusing on Shinto
Suna no Utsuwa is a 2004 Japanese television drama series. It is based on a Japanese novel Castle of Sand.
Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.
Heaven's Bookstore is a 2004 Japanese film directed by Tetsuo Shinohara about a struggling classical pianist who is sent to heaven to work in a bookstore. It is based on two novels, written by Atsushi Matsuhisa and Wataru Tanaka.
Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.
Mizusawa (Takenouchi Yutaka), an explosives expert, is arrested and charged with a string of bank robberies. Because he is a flight risk, Detective Kayama (Ogata Ken) is assigned to transport Mizusawa to Shizuoka for questioning. On the way, Kayama receives word that the hotel where his wife and daughter are attending a party has been rigged with a time bomb. Being a "by-the-book" kind of cop, Kayama refuses to abandon his job and return to help his family. Meanwhile, the hotel is swarming with police and the bomb squad who are searching for the bomb and the culprit. Time is almost up. Mizusawa claims that he is the only who who can deactivate the bomb.
Mike Yokohama is a private investigator who comes across a job where he must retrieve a girl from a get away.
Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.
Yamaguchi, Ichikawa and Kosuge dress in white military-style uniforms to "clean" the streets of Shibuya from bad elements. After rightist gang boss, Aota takes an interest in the three, the boys gradually become influenced by him, but start to go their different ways.
Onna Kuni Shuu Ikki is a 2002 Japanese historical drama directed by Takashi Miike. It is one of three historical films included in the 2002 DVD compilation, Kumamoto Monogatari. The other two are Kikuchi-jo Monogatari: Sakimori-tachi no Uta and Zuiketsu Genso: Tonkararin Yume Densetsu, both also directed by Miike.
Kaido is a professional pickpocket who works the Tokyo subway with his young foster-daughter, Rei: She lets herself be groped while Kaido relieves the groper of his wallet. More often than not they're observed by a middle-aged cop, who generally lets Kaido go free. Rei is unsettled when Kaido takes on a young street punk, Kazuki, as an apprentice -- with instructions to make Kaido stop drinking. Kazuki, however, would like to go into business with Rei.
A pair of hard-boiled Tokyo cops are investigating a gruesome murder: after killing the victim, the murderer cut his skull open and cooked his brain in a stew. As they try to track down the killer, they discover that, quite literally, everybody is a suspect. Will they bring the terror to an end, or will they become part of it themselves?
Seven characters, introduced at the start of the film, get thrown together into the same hotel room: a thief who's stolen a suitcase of money from the mob, his ex-girlfriend, her obsessive boyfriend, the mob soldier sent to retrieve the briefcase, another mobster sent to kill them, master voyeur Captain Banana and his new apprentice, The Mister Yellow. Who will end up with the money?
Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.
Fu and Suzu are two pretty anarchist girls who decide to take to the road. They set off on a journey to visit the tomb of a small pig by name Pupu. On the way, Suzu decides to drop in on a man with whom she had had an affair in the past. All would indicate she would like to blackmail him. Going their way, they meet a gay couple and a golf player in a blue convertible.Because of Suzu's unbalanced personality, they are always in trouble. Wherever they may be, however, the hero TrunkMan invariably appears in time to save them. Suzu eventually falls in love with the hero, all of which makes for a delicate situation as regards Fu who decides to leave her.
When an innocent young country girl falls for a low level yakuza, she enters a completely different world in which the line between good and evil are quickly blurred. Through great ups and downs their love will be tested, but the ultimate test lies in whether or not they will survive the downward pull of the lifestyle they have chosen.
A detective, a mysterious beauty Ekin and other characters appear in the film. It creates a mysterious visual world that takes us one step further into the world of Ekin. This is the second art documentary film produced by the Museum of Art, Kochi, following Hiroyuki Oki's HEAVEN-6-BOX. This time, the stage performances of butoh greats Maro Akaji and Dairakudakan were documented by Hayashi Kaizo.
After spending over half his life in prison, ex-hitman Kunihiro is determined to go straight. But the shortcomings of the new gangs mean that he is soon having to call on his old-school yakuza talents. And when he falls for Asako, a beautiful piano player, she unknowingly ignites a fire within Kuni that will immolate everything and everybody around him. Regarded by many as his masterpiece, Onibi has all the hallmarks of a Mochizuki film, with the gangster elements tightly compressed and controlled to allow space in which a subdued romance can bloom. Coming from a background in porno cinema, this master of sexual relations injects a fresh passion and tension into the macho world of the yakuza film.
The main hero of this film is the spirit of the once very popular wooden statuette called Billiken. It's a small god with a pointed head, a fat belly and a characteristic smile. When the casket in which the statuette was found is broken, the spirit of Billiken is free. After that he tries to fulfill the wishes of all those who had prayed to him, but it doesn't always works.
Paul Racine, a high-powered American business executive in Japan, is catapulted into a maze of danger and intrigue after he and his sexy companion are the targets of assassins hired by the ruthless Kinjo. To survive, Racine must join forces with a powerful samurai and together they will fight the force of evil in an awesome battle rooted in centuries of brutal conflict.
In different parts of Tokyo, four young and seemingly healthy people suddenly die of heart failure at exactly the same moment. Reporter Kazuyuki Asakawa decides to investigate the deaths, and discovers that the four had stayed at a rural inn together just a week earlier. At the inn, he comes across a strange video that ends with a message saying that anyone who watches it will die exactly seven days later. Now the clock is ticking for Asakawa. Can he break the curse in time? Written by Jean-Marc Rocher
Edogawa Rampo is a writer whose latest work is censored by the government, deemed too disturbing and injurious to the public to be allowed to be published. However, after burning his drafts, his publisher shows him a newspaper with an account of events just like his forbidden story. As the film progresses, fantasy and reality intermingle in a tale that draws heavily on influences from Poe and Stoker's Dracula. The film's strongly Expressionistic direction skillfully combines a variety of media (animation, computer-generated imagery, grainy black-and-white fast film stock, color negatives) for artistic effect.
14-year-old Shizuko (Mami Nakamura) dreams of drawing manga in Tokyo to escape her life of poverty and loneliness. Shizuko’s father has left the family, and her mother (Kaori Momoi) — who is desperate for money — takes in an icy, brutal lover (Michio Akiyama) who insists on being called “Father.” He is obsessed with having a “high-class” family and forbids Shizuko to draw her “low-class” manga, which he calls “trash.” When Father discovers that Shizuko has been impregnated by a schoolmate, he inflicts a brutal punishment. Her mother, unable to support the family without him, responds with drunken apathy. In self-defense, Shizuko’s creates manga characters who are gentle and caring.
About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.
This film is inspired by a true incident involving a Japanese girl who went missing in Taiwan (and then was found murdered by a taxi driver) several years ago. Haida, once a famous private detective, is now down and out and running out of reasons to live. One day, while engaging in a group volunteer project to clean up a river, he loses what's left of his will to live and lets the water carry him away. He ends up rescuing a drowning man who alters his view of life totally. Soon he gets a job investigating the mysterious disappearance of a student who sent her mother a cryptic letter, "Wait a bit, Mother. I'm sending my breath. It will arrive soon."
Koji Wakamatsu adapted the Kouhei Tsuka's play of the same name into a human comedy about the members of a traveling acting troupe.
Following the bloody aftermath of a heist, three robbers are double-crossed by a new accomplice, who is then tracked down amid escalating carnage and spectacular car chases.
Professor Sarusawa and his psychic daughter Mai live together after the suicide of the Professor's wife years earlier - which was caused by a suicide plague running rampant throughout the city. Dr. Aryo lives in a nearby castle with his wife, whom Dr. Aryo created, and a hunchbacked assistant. Dr. Aryo once worked at the same university with Professor Sarusawa but was fired for his morbid experiments. Now, Dr. Aryo may hold the key to unlocking the origins & cure for the suicide virus which Professor Sarusawa may now have. Meanwhile Professor Sarusawa's daughter Mai can be bring to life Dr. Aryo's stitched up cadavers which Dr. Aryo hopes to create a new race with.
Katsu, who belongs to the Murai group of the Sakagami Union, was frustrated by the distance from the yakuza world he had envisioned. At that time, Katsu, who met Osamu who belongs to the conflicting Dainippon Kyokushinkai, feels the real gangster scent of Osamu.
Sukezo, a farmer manga comic artist, takes up the art rock business by setting up a shop in a shed by the river. He tries hard to be successful, but business does not go well and the family becomes progressively poorer.
Artist Yumeji has gained fame and recognition for his skills at painting as well as notoriety for his untamed lifestyle. Despite his betrothal to a beautiful and timid young woman of high birth, his libido turns to his many female models. Despite this freedom from constraint, his lust and artistic sentiment cause him nothing but an increasing awareness of the elusive embodiment of true Beauty. While traveling he encounters a mesmerizing widow who relentlessly searches for her husband's body in the nearby lake, believing him killed at the hands of a ferocious roaming bandit. Infatuated with her beauty, he feigns to help her look for the corpse, only to unlock the mystery himself thereby sending him to further depths of debauchery and despair. This is the third and final film in director Suzuki Seijun's critically acclaimed Taisho Trilogy.
Aida, a daredevil detective who isn't afraid of power or challenges. The great evil has begun investigating a major corruption case involving a leading trade company and the nation.
Two brothers, Jinta and Wataru, are raised in a travelling circus. After an accident, Jinta decides to leave the circus and travels the countryside working as a con-man. After a run-in with a local gang of yakuza, he is invited to join their ranks, where he makes the mistake of falling for a boss's mistress. Wataru stays with the circus and works hard to regain its former glory
After his parter Ahiru (Riki Takeuchi) is gunned down in the process of arresting criminal Bruce Sawamura (Seiji Matano), cop Joe "Joker" Kawamura (Masanori Sera) goes rogue and tries to get revenge. Since Bruce's last coup was stealing 5 million dollars in donations from a church, he is joined in his quest by nun Lily (Minako Tanaka) in this first ever entry in Toei's long-running V-Cinema (shot on video) series.
After the death of her mother a young woman wants to meet her real father
On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).
A hardened gangster encounters by chance a woman he hasn't seen since childhood. They are both engulfed in the underground world of intergang warfare.
A young jazz musician's desire to advance in his career runs afoul of organized crime in this thriller from Haruki Kadokawa. After a saxophonist starts playing at a particular nightspot, a thug from the Yakuza adopts him as a special friend for no greater reason than he plays one of his favorite songs well. As the dangerous life of the gangster intertwines with that of the musician, it brings harm to the musician's girlfriend, who is raped. This changes the young saxophonist's attitude about his patron, but his Yakuza "friend" is still too embroiled in his own problems to worry about anything else.
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
Stuck doing show-biz schlock, an investigative reporter stumbles on a scheme to swindle pensions through an attractive gold futures scam, a potential news-story.
A magazine publisher called Out Of Focus hires a new female camerawoman. This company is located in Tokyo. The new photographer moves from outside the city to Tokyo and upon arrival and on her first day is tasked with immediately snapping pictures. Her boss sends her on a mission with a senior colleague. The senior cameraman uses rogue ways surprising his new colleague. A new assignment related to a former Japanese Prime Minister falls on her lap. The court does not look fondly at photography of this kind.
Barbara, a dancer, is coming home to Nagoya after a long absence. She lives above a bar in an area whose inhabitants are mainly from Okinawa. Upon her return, Barbara faces problems beyond her control. Her brother and two friends take one of their teachers hostage to extort money to go on a school trip. Miyazato, the man who loves Barbara is there, but not Aiko, her best friend. Miyazato, a yakuza and manager in a nuclear power plant has forced Aiko into prostitution for the workers of the plant. Barbara plans to help her escape from this hell. Aiko has been sent to Mihama. Without even thinking for a moment, Barbara decided to go see her friend.
The second of Kazuki Omori's pre-Godzilla idol trilogy starring Koji Kikkawa. Omori's mid-1980s opus is full of excess; a shining example of what Japan was like during the 80s when it was lost in the dream of the bubble economy.
A man returns to his seaside roots to confront a yakuza boss. Along the way, he charms young men, softens a hard woman and busts a few heads.
In Okinawa, a Japanese-Filipino gangster named Joe kills an Okinawan mobster. Joe temporarily escapes the pursuing mob by fleeing to the Philippines, hoping to find there safety and perhaps to link up with his father. He meets Yoko, a saloon girl, who looks after him, but soon Joe's enemies show up, determined to make Joe pay.
A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.
An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.
The man has a monotonous job punching tickets for the Japanese railway. One night, while walking home, he saves Jun from getting raped by two hoodlums. A few days later, he sneaks into her house but gets discovered. Later, as he watches his son subdue an insect with a chemical, the man gets an idea to subdue women while they're sleeping so he won't be discovered sneaking into their home. His new hobby spirals out of control as his confidence grows.
Slow na boogie ni shitekure (also known as "Play it, Boogie-Woogie") is 1981 Drama film directed by Toshiya Fujita, and written by Yoshio Kataoka and Eiichi Uchida , starring Atsuko Asano, Masato Furuoya, Tsutomu Yamazaki, Yûko Asano, Renji Ishibashi and Kahori Takeda.
A surreal period film following an university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.
Yataro Tanigawa, a one-eyed hired assassin, impresses yakuza boss Gomyo Kiyoemon with his skill. Gomyo hires Tanigawa as his bodyguard, or yojimbo, to protect him during an inter-clan conflict. Tanigawa quickly rises in stature in the clan, but finds his boss's enemies almost overwhelming.
Set at the height of the Japanese student rebellion in 1968, the film tells the story of the friendship between two very different men—a fortyish film maniac who spends nearly all his time at the movies and a 19-year-old going through the final rites of passage from adolescence to adulthood.
A police detective tries to investigate the mystery of a victim who was shot in the head, but no bullet was found.
Following the death of the second Tokugawa shogun, it is revealed that he was poisoned by retainers of his son Iemitsu in hopes of gaining him the shogunate despite the stammer and birthmark which undermine his respect. Iemitsu and his brother Tadanaga become bitter rivals for the shogunate, and the land is split into factions, eventually erupting into warfare. Iemitsu's mentor, his fencing instructor Yagyu, is fixated upon securing Iemitsu the shogunate and ends up betraying everyone, even his own family, in pursuit of the goal.
At a seaside city somewhere in the Tohoku area, the corpses of Nozomi, daughter of an affluent family, and Yamazaki, son of an engineer at the local nuclear power-plant, are found tied-to on a beach, as if they intended to commit double suicide. Nogami, a reporter, begins to investigate.
Tadao decides to comes back from Tokyo to live in his home town, in the countryside. He stays at his parents place and finds a job, repairing transistor and television. He catches up with his friend Tetsuji, the only that haven’t left yet. But one night, Tetsuji decides to leave for Tokyo with a bar hostess.
A blind traveling musician is abused and oppressed wherever she goes, even as the modern world imposes change around her.
A model must cope with the stress of fame after a marketing executive transforms her into a sports celebrity.
A bad cop is engaged in a violent chase to catch a yakuza boss. In his absence his wife runs away with another man, who turns out to be the very same man that her husband is hunting. Once he discovers this, he loses his nerve and turns in his badge. But the chase turns into a personal vendetta where the ex-cop plans to wipe out the entire gang.
Tateo, young and neurotic, wishes to leave the village his mother has raised him in.
Lady Snowblood is caught by the police and sentenced to death for her crimes. As she is sent to the gallows she is rescued by the secret police who offer her a deal to assassinate some revolutionaries.
A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.
Story of the last three days in the life of Sakamoto Ryoma (1836-1867), imperial loyalist who tried to unite the Choshu and Satsuma clans and prepared the way for the Meiji Restoration (1868).
A young outlaw can’t escape his rebellious past despite connections to a well to do family.
In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?
Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by Yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.
Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.
The film follows a hippie community lead by Yoshitaro. They decide to leave their trailer in Shinjuku and travel to countryside by bicycle to save their friend Furiko who has been falsely accused for murder. The real killer – although it was mainly self defense – is Furiko’s boyfried Takaaki who is being controlled by his politician father. Takaaki would rather live free as a hippie, but his father is forcing him to become a businessman.
Several high-school friends spend their final summer together indulging in sex and leisure; their halcyon days are soon coming to an end.
Young man returns from prison and sets out to destroy the gang that killed his friends and boss of his former gang.
Yūji, fresh out of prison on parole, meets a stranger named Nao that asks for his assistance...
The disbandment of the Tanno clan left gang member Tetsu to stray from the crime family's fold. He roamed the streets as a one man band, wearing a denim jacket and long hair with sunglasses to cover his piercing eyes. Befriending a like-minded lone wolf by the name of Gebasaku, Tetsu builds a coalition against higher forces. A graphic portrayal of irrepressible anger and a friendship worth dying for.
