Yoshirô Muraki
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).
As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Drunken Angel" (1948).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).
A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the travelers trapped at the inn. Ihei Misawa is a ronin, a samurai without a master, whose skills with a sword make him a valuable employee but whose brutal honesty and lack of social graces prevent him from staying with one master for too long. One night, Ihei impulsively offers to buy food and drink for the guests at a hotel; he doesn't have the money to pay, and to raise cash he concocts a scheme to take on anyone brave enough to fight him for a prize. Ihei's fighting skills impress Lord Shigeaki, who offers him a position as fencing master in his court. Ihei gratefully accepts, but when Shigeaki challenges him to a fight, Ihei beats the Lord decisively. Ihea is certain that he's managed to throw another opportunity away when a band of mercenaries attacks him, and his skills as a swordsman are put to the ultimate test.
The story centers on an elderly hibakusha, who lost her husband in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
Beautiful young Kinu Yamabe is drawn to low-born Onimaru, who's vital and charismatic, but viewed by his father as a demon, and by most of the remaining family as a stain to the family name. But after her first period, Kinu suffers the fate of any women born near the Sacred Mountain: she must leave the Mountain and serve as priestess But she has a plan to stay near her old home - which involves marrying into a rival branch of her family.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Eiji, also known as Choji, quits the shipyard to start Izakaya [Snack Bar] Choji with his wife Shigeko on the outskirts of Hakodate. Eiji once had a girlfriend by the name of Sayo, but she is supposed to be happily married to a pasture owner in the countryside. Then, suddenly one day Sayo shows up at Choji before opening. Sayo is still in love with Eiji. The story expressively portrays the lives of random Choji customers and the daily interaction between Eiji and Shigeko, while also focusing on the feelings between Eiji and his past girlfriend Sayo.
Director/screenwriter 'Shinobu Hashimoto' was given carte blanche to make this film based on his three-decade record of success, including being a screenwriter for Akira Kurosawa's Rashomon (1950). This movie was greenlighted sight unseen by the studio. When it failed, Hashimoto retired permanently from film.
After a passenger ship sinks in 1954, Go Akutsu devises a life-saving project in the form of a tunnel under the Tsugaru Strait. While working on this project Akutsu becomes involved with Tae Makimura leading to his estrangement from his wife.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Terrorists hijack an oil tanker and threaten to blow it up unless Japan meets their demands.
Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late. As the effects of mankind's tampering of the earth - radioactive smog clouds, hideously mutated animals, destruction of the ozone layer - rage out of control, the world leaders hurtle blindly toward the final confrontation. The film sparked controversy in Japan and was subsequently pulled out of circulation, with no official video release of the uncut film.
Japanese youngsters enduring hard training in Recruit Camp and then going to Iwo Jima in the last days of World War II.
The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.
In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
Toshiro Mifune stars as Isaburo Sasahara, an aging swordsman living a quiet life until his clan lord orders that his son marry the lord's mistress, who has recently displeased the ruler. Reluctantly, father and son take in the woman, and, to the family’s surprise, the young couple fall in love. But the lord soon reverses his decision and demands the mistress’s return. Against all expectations, Isaburo and his son refuse, risking the destruction of their entire family. Director Masaki Kobayashi's Samurai Rebellion is the gripping story of a peaceful man who finally decides to take a stand against injustice.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.
During World War II Japan sends gold to the Phillipines. After the war, the gold is lost in the bay of Manille. Takeichi Matsuo, a former soldier is working now as a buisiness executive. He meets Mintsura Gunji the boss of a large company who offers him to go to the Philippines and bring back the gold.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
Kikumori runs a cabaret on the docks, while his friend Kaji operates transport boats. When a gang of drug dealers tries to force the pair to cooperate in a smuggling scheme, conflict arises between the two friends. Falsely blamed for murder, Kikumori is blackmailed into an attempt to sabotage Kaji's boats and kill him. But the friendship between the two men proves an obstacle to the gangleader's plans.
Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Masahiko Koseki, a judo master, gets in several fights as a result of protecting a young woman. Despite his success, Koseki is expelled from his judo school because of his propensity for street fighting. He goes to work for a gangster named Joji, but when he realizes that Joji is mixed up in the slave trade, Koseki helps the police in their attempts to foil Joji.
Kiichi Nakajima, an elderly foundry owner convinced that Japan will be affected by an imminent nuclear war, resolves to move his family to safety in Brazil. His family decides to have him ruled incompetent and Dr. Harada, a Domestic Court counselor, attempts to arbitrate.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
A narcotics investigator for the harbor police, Eiichi Tsuda, is driven by thoughts of vengeance for the overdose death of his brother and the subsequent decline and death of their mother. Tsuda acts viciously and with disdain for legal niceties in his exploration of the criminal facts behind the explosion of a freighter in the harbor. He goes undercover with a band of drug smugglers, but his methods threaten to destroy him as well as his case.
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
The fourth entry in the Company President Series
