Youssou N'Dour
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
Senegalese pop sensation Youssou Ndour has spent the last 20 years in the spotlight as a world-renowned musician and the iconic representative "voice of Africa." At the height of his career, Youssou became frustrated by the negative perception of his Muslim faith and composed Egypt, a deeply spiritual album dedicated to a more tolerant view of Islam. The album's brave musical message was wholeheartedly embraced by Western audiences but ignited serious religious controversy in his homeland of Senegal. The film chronicles the difficult journey Youssou must undertake to assume his true calling.
Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.
The true story of William Wilberforce and his courageous quest to end the British slave trade. Along the way, Wilberforce meets intense opposition, but his minister urges him to see the cause through.
On July 11 2004, over 200,000 spectators filled the downtown streets of Montreal to take part in a unique celebration, an incredible one-night-only special event! With more than 250 artists, Midnight Sun is a brilliant combination of music and circus - the perfect chemistry of sight and sound. An unforgettable viewing experience filmed in high definition!
This production, mounted December 10, 1998, commemorates the 50th anniversary of the Universal Declaration of Human Rights, a milestone underscored with between-songs informational segments that succinctly promote the beneficiary's themes of tolerance and social responsibility. Filmed and live cameos mix celebrities with sage comments from the Dalai Lama (whose impish "thumbs up" to the crowd elevates the entire affair) and UN Secretary General Kofi Annan. An underlying fervor also sparks much of the music, particularly from Peter Gabriel, Youssou N'Dour, Tracy Chapman, and a solo Bruce Springsteen, whose songs all allude to the human rights agenda. Alanis Morissette's brief set likewise takes on a spiritual glow consistent with both her second solo album and the context at hand, while jubilant sets from Kassav and the Asian Dub Foundation serve as potent multicultural celebrations.
Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
Wembley Stadium hosts a concert featuring stars from the fields of music, comedy and film, in celebration of the 70th birthday of imprisoned ANC leader Nelson Mandela. Highlight of the evening is the one hour live performance of Dire Straits feat. Eric Clapton.
Human rights now concert from Argentina, Estadio River Plate, Buenos Aires
When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.
It is the dawn of Senegal's independence from France, but as the citizens celebrate in the streets we soon become aware that only the faces have changed. White money still controls the government. One official, Aboucader Beye, known by the title "El Hadji," takes advantage of some of that money to marry his third wife, to the sorrow and chagrin of his first two wives and the resentment of his nationalist daughter. But he discovers on his wedding night that he has been struck with a "xala," a curse of impotence. El Hadji goes to comic lengths to find the cause and remove the xala, resulting in a scathing satirical ending.
