Yukiko Shimazaki
One evening, at the Marine Tower observatory, cosmetics salesman Ichiro Iki is drawn into conversation with an unfamiliar young lady Akiko. She invites Ichiro back to a hotel where they make love but part without even exchanging names. A week later, they have a second chance encounter at the observatory. This time, Ichiro is the one who pursues her. Back at the hotel, Akiko begs Ichiro to give her sister – Kyoko, a bar hostess – absolute hell. Akiko resents her sister for lecturing on chastity, while wantonly indulging in promiscuous activity. Ichiro takes an interest in Kyoko and sets out towards her bar…
Yuzo Kayama plays the protagonist, a whale-hunting cannon manufactuing supervisor, whose brother is an automobile tester for Komatsu Motors which has a fatal accident. As his brother investigates the "Accident" with his old college friend (makoto Sato), now a reporter... They stumble across murder, espionage and cover-ups. High-class night club, femme fatale, and a "Blueprint of Murder" all adds up to a bigger plot then first expected.
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.) I have no plot to share, unfortunately, so I'll just add a few more screencaps than usual to make up for it.
A historical drama that depicts the touching beauty of world obsession and human love in the style of light comedy, in the center of which is a young man who has a master license menkyo kaiden in the art of swordsmanship, but weak against lies and women. A remake of Bungaku no Issue, shot by Sadao Yamanaka in 1933.
A university professor and his wife have two sons with infantile paralysis. Through trial and error, they struggle to open a school for disabled children at their own expense. Based on a true story, it features natural child performances under Hiroshi Shimizu’s skillful direction.
Based on Philippines war experiences. Military doctor Leutenant Hanada deserts with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
MAZAKI Shintaro is a teacher at a mission school, in a relationship with the English teacher Sumi HASHIMOTO. Young, single and handsome MAZAKI is popular among the women, One day, after reading somethiing unusual in the essay of a third...v
Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.
A romantic melodrama about the shifting relationship between Ryosuke and Miki as their precarious employment and social circumstances shift around them.
Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.
Chuji Kunisada runs into strange adventures which tests his skill as a samurai as he untangles intrigue and murder against the backdrop of the majestic Mount Akagi.
