Yūsuke Kawazu
Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.
Kenji, abandoned by his mother, scrapes out a meager existence doing odd jobs including driving bar hostesses and their customers home. Besides this he takes care of the sister of an old friend in jail and a young illegal immigrant. But his life reaches a turning point when he happens to meet Chiyoko, his long lost mother. She is now married to Mamiya, the owner of an express package delivery service. They also have a teenage son, Yusuke. Subdued feelings of alarm, discomfort and resentment between Chiyoko, Kenji, and his half brother Yusuke hide underneath and are seemingly caused by the inseparable blood ties that seem to wield control over everyone's destiny. Is blood that powerful? What exactly defines a mother or a father? While Kenji struggles with these questions and attempts to escape his fate, Chiyoko seems content to let these issues unfold and find a solution. Where will it ultimately lead them?
A biographical film of war photographer, Taizo Ichinose.
A strange meteor lands in Japan unleashing hundreds of insect-like "legion" creatures which find their way into Tokyo. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary.
The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.L.
The final feature by Hiroshi Teshigahara. A direct sequel to his preceding film, Rikyu (1989).
This is the story about the a very powerful Lady Kasuga who established Ooku the inner palace.
To solve the mystery of her deceased husband, his wife departs to Shinshu.
An ex-Olympic athlete and a student commit cash robbery. Aki Hoshino, a pre-med student, becomes inspired to steal money the school collected as “special fees” from parents wanting to assure their offspring’s’ acceptance into the hallowed institution. He forms an unbeatable alliance with an ex-employee and crime bosses to retrieve the ill-gotten money from the “wrong” hands.
The story is set in Bakumatsu and revolves around the Bunta Sugawara character, a yakuza (of course :) but instead of a modern yakuza/gangster, he's a gambler/bakuto). After he kills someone and gets wound, is saved by a blind woman (Mitsuko Baishô), who took care of him. They has a happy time under the protection of the Tomisaburo Wakayama character, an oybun. But of course, happy time doesn't last long. The story is also related to Okada Izo and the Shinsengumi (w/ Kondo Isami played by Makoto Sato)
When a young soldier is killed while trying to prevent his younger sister, Kaoru, from being sold into a life of prostitution, his commander, Col. Miyagi, tries to honor his dying wish to rescue his sister. Upon finding Kaoru at a party working as a geisha and later rescuing her from committing suicide, Col. Miyagi allows her to move in with him. Over time, the two grow close, but in spite of Kaoru's growing feelings for him, Col. Miyagi is unable to bring himself to return her love. On the night of his deployment to war, Col. Miyagi finally admits his feelings for Kaoru, but will they ever be able to enjoy a peaceful life together now that a very violent and bloody military revolt is under way...
Multiple murders, red herrings and sadomasochistic sex are the order of the day in this ground-breaking mystery from Edogawa Rampo, Japan's foremost writer of suspense novels. The year is 1930 and the chance meeting of a novelist and one of his fans opens the door to a series of mysterious events culminating in the death of a wealthy industrialist who may have been leading a double life. Aoi Teruhiko and Kayama Yoshiko star along with 2 of Japan's most famous and highly respected actors, Otomo Ryutaro and Wakayama Tomisaburo. In a departure from the samurai genre in which he made his name this is director Kato Tai's masterpiece. A true work of cinema art comes to life in this deadly tale of love and betrayal!
In postwar Japan, an editor visits her old Professor who is working on a modern translation of a legend about a mummified Buddhist monk who was revived, only to turn into a sex fiend that terrorized a rural village in pre-modern Japan. The story begins to have uncanny resonances with things going on in the present.
In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.
This Japanese melodrama chronicles the exploits of a geisha's beautiful daughter. The daughter is the geisha's pride and she spares nothing to insure that she has a bright future. But the hard-working young woman's dreams of becoming a dressmaker are shattered.... She then becomes a nightclub hostess who plays cards with male patrons using her body as the prize.
Tatematsu Minoru, a yakuza belonging to the Ishikawa group that runs the Shinjuku area, has a beautiful sister named Akane. He dreams of sending her to college and turning her into a perfect young lady. He's extremely fond of Akane. His fondness for her goes beyond how he feels about his mistress, Kanae. And yet, Akane feels alone. Now, a new tutor comes into her life that seems to have taken a liking to her...
Inspector General Kanjuro Sano conspires with the future shogun twin brother. They replace Ieyoshi Tokugawa with his twin, but it becomes a problem when suspicion arises and Nemuri Kyoshiro gets involved.
Michi (Ruriko Asaoka)'s first encounter with Nobuyuki Ishida (Eiji Okada), secretary to the chairman of a private school, takes place in the drawing room, when she attempts to swindle him out of two million yen for alleged rape by his son. Akie (Kyoko Kishida), Ishida's wife and the chairman's daughter, offers her a million, but he gives her what she demands. Now Michi is not only satisfied, but she has a mad desire for Ishida and calls him every day asking for a date. His sympathy for her gradually evolves into love, and he soon allows her insatiable passion to strip him of his decency.
Eighth film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
Though he has come from a rough background on the streets, Muraki (Horoki Matsukata) quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.
The titular "tarantula" is a murderous woman who, along with the brother who is in love with her, kill without warrant because they are wealthy & above the law. Kyoshiro the homeless masterless wandering samurai has nothing to lose, & no scruples anyway, so can reproach even the powerful with ease. He is thus, for all that he has broad streaks of villainy all his own, a champion of the people by default.
Tonomura has a singular taste in women. He likes them, but he wants them tattooed. To this end, young Osayo has herself decorated with a celebrated flying-angel pattern and in this way brings much pleasure to her patron. A young hoodlum named Shinnosuke also covets the tattooed maiden. He, decorated with the design of a famous thief, finally gets to her and she responds as she rarely does with her older lover. Also in love with her is a young girl named Okimi who has herself tattooed with a courtesan design just to please the older woman. Having done so, however, she becomes fair prey to the tattoo-loving Tonomura who loses no time in seducing her.
A samurai kills a blind man who tells him to repay his debts. Because of the samurai's actions his entire family is to bear a terrible curse.
Eleventh film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
Japanese sixties comedy featuring a cunning female jewel thief named Black Lizard who tries to kidnap Sanaye, a wealthy jeweler's beautiful daughter as part of a plot to steal the jeweler's expensive "Star of Egypt" diamond. To thwart the planned kidnapping, the jeweler hires Japan's number one detective, the brilliant Akechi. This sets off a dual between Black Lizard and Akechi as each tries to outwit the other. In the process, the two adversaries develop a mutual respect and affection for each other. Despite Akechi's efforts, Black Lizard and her crew are able to kidnap Sanaye and gain possession of the "Star of Egypt". Black Lizard takes Sanaye to her secret lair on a remote island which is populated by an eerie collection of naked human dolls. There Black Lizard plans to preserve Sanaye's beauty forever by turning her into one of her dolls. As Sanaye's doom quickly approaches, it is up to Akechi to save the day.
Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.
In 1939, Sakura Nishi is a young army nurse who is sent to the field hospitals in China during the Sino-Japanese war. She has to assist the surgeon Dr. Okabe with an incredible number of amputations. In the crowded wards, she gives sympathy to some of the soldiers, including sexually servicing one who has lost both arms and has no hope of returning home. She falls in love with Dr. Okabe, and follows him to the front, even though he is impotent from his morphine addiction
Onna no Toba, is the first film in long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin. The series gets cited on lists of action yakuza films or woman avenger films, but once the films are actually viewed, it is quickly obvious they are not generally about action except in the nominal sense of acts of gambling. And while Ogin is in fact sometimes motivated by revenge, she is not as a rule a martial artist or a killer, & this series tends to place its female hero as far away from the "action babe" method as she can get. Ogin is an honest dealer in the criminal underworld of yakuza-run gambling. She is samurai-like in that she sets out to become Japan's number one dealer, much as a samurai might go on his "warrior's pilgrimage" to become Japan's number one swordsman.
TULIP (The Undercover Line of International Police) is a New York-based international police force in direct opposition to the criminal organization TIGER (The International Group of Espionage and Revolt). Shunsuke Dan is agent Spycatcher J3 of the TULIP Japan Branch. Spycatcher J3 stands against TIGER's machinations.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
Two sisters live with their family. The elder is reserved; the younger lively. Yet, the former is first engaged and all goes well until the young man disappears
A story about four best friends and their lives inside and outside college. Then suddenly one of them receives a surprising offer to be a movie star.
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates scheme to procure the money for themselves, enlisting the aid of impostors and blackmail.
His ideals challenged by life as a conscript in war-time Japan's military, a pacifist faces ever greater tests in his fight for survival.
Mod-sixties visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji.
A woman brings her injured daughter to the hospital, only to realize that the doctor is the estranged father of her child.
Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.
In a time of continuous civil wars ravaging the fields of feudal Japan, the eldest son of a very poor peasant family, living alongside the bridge over the Fuefuki river, decides to serve a warlord to escape his miserable condition, being soon followed by his younger brothers. Although not all the men of the family take this tragic path of death, women of the family will be doomed to endure the pain of loss during the next five generations.
A budding gangster enthralls a freeloading young woman, soon taking advantage of her knack for hitch-hiking to rob middle-class, middle-aged men.
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
When a wealthy, selfish family decides to take care of an elderly hobo who collapsed near their home, they are beset by visits from his numerous friends.
Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.
After surviving the double suicide pact she made with her lover, a woman gives birth to their child.
A playful short film made in the style of a trailer for a fictional feature film that seems to be a spoof of films that were popular in Japan at the time.
As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
Two men at an ironworks encounter roadblocks: the first does not have the grades to get a job, while the other finds himself falling for a co-worker.
In post-war Japan, a publisher goes to visit her former teacher for help on a modern translation of a legend about a mummified Buddhist monk who was revived and who, centuries later, turned into a sex demon who terrorized a village in pre-modern Japan.
