Zofia Perczyńska
Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple's aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals...
The film is about a group of old retired theatre actors in a retirement home for actors who aim to regroup and stage Goethe's Faust.
A factory foreman discovers (to his discontent) that his housewife secretly takes driving lessons in order to get a job and send their son to kindergarten.
With the second part of his Cellulose Diptych, award-winning director Jerzy Kawalerowicz returns to protagonist Szczesny, now a full-fledged, middle-aged communist militant in pre-war Poland. Based on the writings of Igor Newerly, Kawalerowicz's epic chronicles the romance between Szczesny and the charismatic Madzia, as the ill-fated pair fall in love amid the social and political upheaval of their homeland.
