Zygmunt Zintel

Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.

7.4/10

A Scotland Yard officer investigates the mysterious disappearance of a series of corpses. Based on the novel by Stanislaw Lem.

6.7/10

A bitter story about a bizarre folk sculptor. The creators placed the action in the original landscapes of a mountain village.

How I Unleashed World War II is a story of a Polish soldier Franciszek Dolas, who - as a result of comical coincidences - is convinced that he started the Second World War. Trying to redeem himself at all costs, he constantly gets into new trouble. In doing so, he finds himself on different war fronts (Yugoslavia, Mediterranean Sea, Near East, Italy) and eventually returns to Poland.

Waclaw Orzeszko is unlucky soldier. Nobody from the platoon likes him. One day he decided to go away from platoon. At the castle he meet Russian soldier Marusia. At this time German forces came at the castle. They must hide. But there is also second problem. Waclaw's platoon had to find deserter. Polish Soldier close to the castle.

6.8/10

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.

7.5/10

A yeti in transit escapes in Warsaw, and a professor, assisted by a prisoner, go after him.

4.6/10

Set in the 17th century. A convent in a small town is being visited by high-ranking Catholic official trying to exorcise the nun supposedly possessed by demons. A local priest have been burnt for creating this condition by sexual temptation of the nuns, especially the Mother superior who bring on the collective hysteria of the group. There is another young priest who is to help with the exorcism. His first meeting with the convent head, Mother Joan of the Angels, has her seemingly possessed by Satan - she yells blasphemies and incites the priest. She begs the priest to save her and to help her to be a saint.

7.7/10

Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

7.8/10

A day in the life of an alcoholic. With the help of his girlfriend Krysia, Kuba attempts to regain control of his life. But when his girlfriend is at work and Kuba home alone, resisting temptation becomes hard.

7.7/10

Rumsza, the elderly railwayman, leading a sedate life with his wife, misses his only remaining son (two older boys were killed in the war). Joziuk finally returns from the military in the first scene but with the pregnant Zosia, while Rumsza expected him to marry Celinka, the daughter of Krywka, his only friend and neighbour. The hero will not accept the new situation; he throws his son and Zosia out of his house. Celinka is distressed but she still harbours hope for Joziuk. The birth of the child changes the situation: Rumsza accepts his son's relationship but Celinka decides to leave.

6.7/10

In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?

7.6/10

Nikodem Dyzma is a poor dancer who comes to Warsaw to find a job. The problem is that nobody wants to hire him. One day he finds an invitation to the party with very important people and decides to attend. A small accident at the party makes him the hero of the night and becomes the beginning of his career.

6.5/10

A man has been found dead after having been hurled from a train. As security agents, police and a medical examiner piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war, and one in contemporary Poland.

6.8/10

Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.

7.1/10

Imperialist spies try to disrupt and stop production in a large steelworks.

4/10