8 Countries 8 Directors & Sinan

Muezzin Musa falls for his neighbor, the Catholic nurse Clara. The story gets even more exceptional when Musa meets Yakup, who turns out to be connected with Clara.

Turkish modern and contemporary art, by the West, is considered as Middle Eastern, but when it’s viewed from our own land, it is seen as Western. Our position as a bridge between the East and the West is not only geographical, but also cultural; and this bridge has been a home for many great civilizations throughout the history. This rich cultural heritage and diversity is the foundation of Turkish modern and contemporary art. Approaching the western world with a more realistic perspective has turned the gaze of Turkish artists to their own land, history, people and tradition. Additionally, the personal statement tendencies of new generation artists have developed their own expression and communication methods instead of emulating the current art developments in the West.

Sabri, a barber in Yozgat - a very small city in the middle of Anatolia - has an emotional breakdown when he runs into Yavuz and Neşe, who come to the town to sing in a small music hall-bar. This will also affect Neşe and Yavuz. None of their desires will be how they want them to be.

May 22nd, 1963. Unhappy with the existing social and political situation in Turkey, a group of military officers has planned a coup d’état to take down the government in Ankara. Meanwhile in Istanbul, their conspirators have undertaken the vital mission of taking over the National Radio station and making a formal announcement about the coup. But nothing goes to plan. Faced with a number of obstacles, including a sudden rainstorm, the absence of the radio station technician, a betrayal, the lack of feedback from Ankara and their very own inefficiency, the conspirators scramble to keep their plan on track and announce the success of the coup – that is, if the coup in the capital has taken place at all.

Nicolas is a shepherd. He is around twenty years old, thin and spirited. Constantina is eighteen years old. Constantina fell in love with Nikolas the very first time she saw him with his lyre at the bull sacrifice ritual. She entered the whirlpool of ecstasy and became his lover. Their relationship was clearly physical, all other things were setting them apart. Constantina decides that they should break up. "We come from different places and head in different directions", she says. When she finds out that she is pregnant, she does not tell Nikolas.

A minefield by the Evros River. The border. A platoon of sappers are struggling to clear it. Yannis is among them. Gangs transfer immigrants and refugees across the border-river. Sometimes the minefield breaks its dark silence. Chryssa, who takes the children across, will stumble on Yannis. Challenging death is their common fate. She will be lost. Yannis will stay behind trying to understand what love is, through a miracle.

Centres on two brothers, Stelios and Yannis. The impulsive Stelios skips their small town, deserts from the army, and is thought dead, until Yannis, now a city cop, recognizes his name on the papers of an illegal immigrant seaman. He begins a search for his lost brother, a search that takes him across many borders: between past and present, between Greece and its neighbouring countries, between one identity and another.

The truth behind the mysterious murder of Loula, a sexy young Greek woman, is gradually revealed by a documentary film crew investigating the case. What they discover is a tale of ambition, passion and betrayal.

A man earns his first paycheck by driving his motorcycle, for the pleasure of rich people, through a mine field in Bosnia.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

The director's fascination is the parallel world which exists behind the doors of big shopping malls. It is as if behind those doors everyday human problems do not exist. Yet, as we spend money, we all have to go back, through the same door, back to reality.

The Mongol Empire had grown to the largest the world had ever known. It's armies now laid siege to much of Eastern Europe. A small village fights for freedom in the frontier landscape of the Carpathian Mountains.

An aging composer, caressed by fame, realizes that his finest hour has passed. And in his troubles, the creator blames first of all his wife Elena. To return the capricious muse, Eugene brings a young mistress, a student of the conservatory, into the house. And the wife has to put up with the fact that from now on she will live under the same roof with the "doves."

‘The Cyborgs’ is re-telling the recent history of Ukraine – the legendary fight for Donetsk Airport in 2014 during Russian invasion. The freedom fighters from various divisions of Ukrainian army and volunteer battalions took a 242-days stand against the Russian backed militants until the complete destruction of the airport’s terminal.

The film tells about the tragic date in the history of the Crimean Tatar people — May 18, 1944 — Stalin’s deportation of the Crimean Tatars. The plot of the film — a pilot, twice Hero of the Soviet Union, Amethan Sultan. In May, 1944, a year after liberation of Sevastopol Amethan goes on vacation to his native town Alupka. On May 18 his eyes witness begining of deportation of the Crimean Tatars.

Nazi-occupied Crimea, 1944. A boy named Itzhak turns to Saide Arifova, a local Tatar Muslim woman, for help, explaining that he and a group of other Jewish orphans are hiding from the Nazis. Arifova faces a moral dilemma: should she try to help them or save herself by refusing? Despite the impending danger, she decides to protect the children by hiding them in plain sight, and disguising them as Tatars and adopting them into the local community.