Juncal

When a group of gangsters sets out to retrieve a stolen gem, they run into some of the fiercest and most bloodthirsty minions hell has to throw at them, including demons, zombies and witches, all intent on stopping them by any means possible.

Little Felipe has been sick for a long time. To hasten his recovery, his parents send him to spend the summer of 1958 in the villa of his grandparents, located in the wealthy quarter of Cadiz. The warm climate of southern Spain is good for the boy, but the inhabitants of the great home may be a different story as all the relatives within are a tad strange. There Felipe meets his great-grandmother and her tough nurse Adoracion who patiently listens to grandmama's reminiscence's of the bandoleros who died for her. Felipe is not allowed to leave his bed, but his hours pass pleasantly thanks to the ministrations of the sexy Mari, a virgin, who loves to tease her four strapping aspiring lovers. As the summer progresses, Felipe interacts with all of his relatives and from their strange behavior finds himself learning an awful lot about life and love.

The former pupils of the school "Ateneo" meet several years later to honor the retirement of the head master, Mrs. María. The house where everyone meets, still evokes ancient memories from that time. One of them proposes something very special, to play the journey exactly as they used to do it. From the 40 people committed, only 9 show up. Their frustration grows when the journey begins and they still don't know what are they going to do.

A sexually dissatisfied woman is confronted with a man who is the victim of a puritanic education.

Antonio and Teresa are a couple who live in a flat in San Sebastian. Ursula Michelena, an elderly woman over 70 years old, lives on the top floor. Ursula is secretly in love with Antonio, whom he continually spies from one of the windows of her house. One night she sees Antonio and Teresa making love and that fact excites her violently, in such a way that she asks Antonio for a secret appointment and tells her that she is pregnant and that the son she is waiting for is his. Úrsula, according to her version, has become pregnant looking at Antonio and Teresa making love.

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

A woman living in a small town discovers after fifty years that she is actually a man. Will she change her sex and suffer the reaction of a narrow-minded society?

Enrique lives in a city in the northwest of Spain. He is married to Alicia and has two daughters: Pilar, 23, and Carmen, 8. Enrique made the civil war on the national side, which in his youth led him to cross Spain from Galicia - his native land - to the Mediterranean. And now he wants to remember his adventure and offer it to his family, especially Pilar. The four travel the country treading where Enrique had stepped. But the trip will be much more complicated than expected ... A film made when the Franco dictatorship gave its last breaths and, thanks to it, could launch its timid message that we must forget the past and always look to the future, no matter how glorious it is. To highlight the presence of some young Ana Belén (with nudes included

Miguel and Aurelio are two film writers who decide to lock in a monastery in Aragon to finish the script for a movie. Strolling through the beautiful neighborhood, they meet a young and very attractive baker, with whom they maintain a loving relationship and she becomes, without realizing it, the protagonist of the script.

Argentine writer Camila Ponte is on a promotional tour for her first novel, which has become a real success. In one of the acts, Vega, a mysterious woman, approaches her and convinces her to go to a hotel. Camila is thought to be working for her publisher but in reality Vega seeks revenge and kidnaps her. The victim seems to accept the abduction, since between both a history of suspicion, distrust and also love arises.