Andolan

Gowda is a goonda whose octopus like tentacles have a hold on illegal numbers game, brewing and distribution of illicit liquor, smuggling of firearms and other contraband. To aid and abet him, he has the cooperation of a senior police officer, a minister and the entire official machinery under their control. Three brothers, Ajit (a military man - Fawzi), Bhagat - a policeman and Jai, who is unemployed are on a collision course with Gowda and his goons. Within the police, Pawar, the honest Commissioner and Bapat, his deputy are on a collision course. The Minister is orchestrating both the administrative and the Mafia bosses, and their underlings. While this is a formula film of the mid 1990's an ageing Dharmendra still puts in a credible performance.

A tough and rowdy look-alike takes the place of a rich young man, who has family problems and enemies.

Gaurav lives a wealthy lifestyle, gets everything he wants except the love of his parents and family. Even though he lives with his parents, they love his elder brother Narendra more. After an unfortunate incident, Gaurav joins the army to prove himself to his father, where he discovers a terrorist plot that could put his family and his country at risk.

Dharamraj dislikes women and has told his younger brothers to stay away from them.

Ilaaka - has a small little world of its own. A world of dreams and desires love and longings, hatred and hardships. This is Raja who stands at the cross roads of truth and traditions.. In this small world we have Suraj and Neha, the two crusaders against the might of evil. And we have the evil incarnated too! Nagar as vicious as a viper and as blood thirsty as a wolf. Here we have good old Masterji who is ready to sacrifice himself for his tiny world. And we have cunning Swami also, who is ready to destroy everything. Ilaaka has love and laughter, blood and tears. It is as delicate as a petal and as hard as steel. Ilaaka, a painting which has all the seven colours of rainbow.

After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.