Black Magic

Orson Welles unfinished movie made in Brazil, about four rafterman that leave their village to go to the capital in search for their rights.

An unassuming office worker is arrested and stands trial, but he is never made aware of his charges.

Comedy adventure based on a Jules Verne novel about the ups and downs of jewel thieves in the wilds of Africa circa 1900. George Segal is the appealing hero-heel and Ursula Andress is visually stunning as the lady in the proceedings. Orson Welles has a small role.

Moby Dick—Rehearsed is a two-act drama by Orson Welles. The play was staged June 16–July 9, 1955, at the Duke of York's Theatre in London, in a production directed by Welles. Welles used minimal stage design. The stage was bare, the actors appeared in contemporary street clothes, and the props were minimal. For example, brooms were used for oars, and a stick was used for a telescope. The actors provided the action, and the audience's imagination provided the ocean, costumes, and the whale. Welles filmed approximately 75 minutes of the production, with the original cast, at the Hackney Empire and Scala Theatres in London. He hoped to sell the film to Omnibus, the United States television series which had presented his live performance of King Lear in 1953; but Welles stopped shooting when he was disappointed in the results. The film is considered lost.

In 1939, Orson Welles staged a version of "The Green Goddess" in New York, which was preceded by a short film prelude – this was two years before the release of his debut feature film, Citizen Kane. The footage is now believed lost.

An unreleased 9 minute trailer for F for Fake directed by Orson Welles as promotional reel for the film's American release.

Orson Welles' 1955 documentary on the Basque Country and its people.

In 1955, Orson Welles directed and hosted a mini series for British television. He leads us through a few famous places of Europe with his inimitable touch. In Paris he introduces us to famous artists such as Juliette Gréco or Jean Cocteau who lived in the Saint Germain Des Pres quarter. In London we meet the Chelsea Pensioners, in Spain we attend a Madrid Bullfight and visit the Basque country (Basque Country 1&2). Somewhere between a home movie and a cinematic essay, these short films have been described by French critics as the missing link in Welles' work.

A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting. Shot in a piecemeal fashion between 1966 and 1969 and plagued with production problems, this film never completed principal photography and never entered post-production. The original negatives are now considered to be lost, and the film only exists in two incomplete workprint versions (one color and one black-and-white), which have received isolated public screenings since 2007.

Magic Trick is a short film made in 1953 by Orson Welles, for use in a show by magician Richard Himber. It involves Welles on-screen interacting with Himber off-screen as the two play a card trick, and would have been projected life-size (in black and white) during Himber's touring stage show in the 1950s.

Conceited World Champion boxer Tommy Lundy decides to test his popularity in a Broadway show. Tommy always has an eye for the ladies and he starts paying attention to beautiful chorus girl Pat Lambert. Pat's boyfriend Bill Smith isn't impressed with Tommy even though Tommy gets him a boxing part in the show. When Tommy finds out that Pat and Bill were secretly together the night before the show opens, he angrily plans to turn the boxing scene with Bill into a real bout.

Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo

Woman hopes to be a great singer and is encouraged by her scheming teacher. After she flops her husband, encouraged by an amorous professional singer tries opera and also flops.

Bill wants to join the Army, but he's 4F so he asks a wizard to help him, but the wizard has slight problems with his history knowlege, so he sends Bill everywhere in history, but not to WWII.

When a waiter gives a society girl a public spanking for attending a Communist rally, her soup-tycoon uncle makes the waiter a vice-president of his company.

This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat.

A circus performer becomes a ballerina and then begins her life of a career versus marriage and a home-life. She marries her first husband, her mentor and instructor, primarily out of gratitude. After his death, she marries an American thinking that can be her escape from the world of ballet. But she leaves him to return the dancing. She has a child but does not tell her husband. When her daughter is two-years-old, the husband finds out and takes the child to America. The ballerina continues to dance until her best dancing days have gone by.

When a young wife discovers her husband of two years is involved with his beautiful secretary, she applies for a job as secretary to a business rival.

A financier (Edward G. Robinson) plots to become the richest man in the world by marrying off his daughter (Peggy Cummins) to the son of an Arab sheik.

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.