Public Deb No. 1

Conceited World Champion boxer Tommy Lundy decides to test his popularity in a Broadway show. Tommy always has an eye for the ladies and he starts paying attention to beautiful chorus girl Pat Lambert. Pat's boyfriend Bill Smith isn't impressed with Tommy even though Tommy gets him a boxing part in the show. When Tommy finds out that Pat and Bill were secretly together the night before the show opens, he angrily plans to turn the boxing scene with Bill into a real bout.

Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo

Woman hopes to be a great singer and is encouraged by her scheming teacher. After she flops her husband, encouraged by an amorous professional singer tries opera and also flops.

Bill wants to join the Army, but he's 4F so he asks a wizard to help him, but the wizard has slight problems with his history knowlege, so he sends Bill everywhere in history, but not to WWII.

This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat.

A circus performer becomes a ballerina and then begins her life of a career versus marriage and a home-life. She marries her first husband, her mentor and instructor, primarily out of gratitude. After his death, she marries an American thinking that can be her escape from the world of ballet. But she leaves him to return the dancing. She has a child but does not tell her husband. When her daughter is two-years-old, the husband finds out and takes the child to America. The ballerina continues to dance until her best dancing days have gone by.

Hypnotist uses his powers for revenge against King Louis XV's court.

When a young wife discovers her husband of two years is involved with his beautiful secretary, she applies for a job as secretary to a business rival.

A financier (Edward G. Robinson) plots to become the richest man in the world by marrying off his daughter (Peggy Cummins) to the son of an Arab sheik.

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.