Celebrate Cinema 101
This film project was made in 1996 to commemorate the 100th anniversary of the birth of the cinema.
Víctor Erice
Aleksandr Sokurov
Rob Nilsson
Marco Bellocchio
Robert Kramer
Shinji Aoyama
Hideho Urata
Jonas Mekas
Kaname Oda
Also Directed by Víctor Erice
Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.
Relationships and multiple influences between two great directors of modern cinema.
A new feature film by Victor Erice.
In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.
Also Directed by Aleksandr Sokurov
A Humble Life is certainly true to its title, a documentary study of the day-to-day world of Umeno Mathuyoshi, an old woman who lives in an isolated mountain house in the Nara prefecture in Japan.
TV version of the Opera "Boris Godunov" modest Mussorgsky staged by Director Alexander Sokurov at the Bolshoi Theater.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
In 1994, Alexander Sokurov accompanied Russian troops assigned to a frontier military post at the Tajikistan/Afghanistan border to film their experiences. While unnamed tribal forces occasionally engaged the troops in skirmishes, Sokurov’s haunting documentary chronicles the downtime between activity.
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside and cottage.
In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.
An anonymous man wanders through decomposing, fog-enshrouded catacombs and encounters a series of “the degraded and the humiliated,” including a holy prostitute and a Kafkaesque bureaucrat.
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.
This bleak late soviet-era drama follows the career of Malyanov, a young medical school graduate who has been sent to work in Turkmenia. Here he runs into a hodge-podge of people of differing ethnicities, all of them victims of the government's earlier mania for relocating and eliminating whole ethnic groups and classes of people. These desperately unhappy people are unable to find any pleasure in this diverse companionship, but instead are antagonistic to it, and often resort to desperate measures in their doomed attempts to ease their pain.
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony.
Also Directed by Rob Nilsson
In a futuristic desert hamlet, a ruthless town boss lynches a falsely accused Native American teen, setting the stage for revolt and a clash with a troubled, drunken sheriff.
Estranged from his longtime girlfriend, suburban accountant Perry wanders into the Tenderloin at night and is drawn into a series of dangerous and erotic encounters.
An 80-minute documentary film following John Cale and Brian Eno in Moscow, London, and Wales during the creation of the album "Words for the Dying".
In one final attempt to achieve victory, an aging professional runner is training vigorously for a very tough marathon race.
The bitter-sweet story of young lovers caught up in a political struggle waged by farmers against the grain trade, the banks, and the railroads. Set in North Dakota during 1915-16, a largely forgotten era of American history.
Ben Malafide gets out of prison after 20 years and arrives in San Francisco by ferryboat. The Information Age assails him like a hive of angry bees. Noises, images, illusory hopes and unkept promises. Time itself seems to run forward and backward as Ben looks for the basics… a meal, a kind word, a bed for the night.
The tenants of a college dormitory regress into paranoia after a violent and seemingly random murder takes place just outside their window. A story based on actual events, the film is a stunning rendition of the nature of fear and insecurity among students in a newly dangerous environment; the university campus.
Bid is a self-styled urban commando determined to live outside the system and the law. A hustler in high end auto parts, he is homeless by choice. All his gear in a storage locker, he plies the city on a motorcycle, counting coup on the cops. Yve is Bid’s girl friend, bi-sexual, ambitious but without direction. Neither wants to compromise… but their friendship is about to go tragic.
A unique film about pool.. Hustler vs newbie and interesting visuals. Very "90's"
Phil Berkowitz, a 55 year old North Beach poet and survivor of the days of wine and roses, has a stroke. Helpless, he lies in his flea bag hotel room in San Francisco’s Tenderloin until he is found by Johnny, his next door neighbor.
Also Directed by Marco Bellocchio
The story of the descent into madness of Mussolini's secret first wife, Ida Dasler, who was seduced by his passion and vigour but blind to the fascist dictator's many flaws. A historical drama with the passion, lyricism and tragedy of a classical Italian opera. Nominated for the Palme d'Or at the 2009 Cannes Film Festival.
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.
The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from assassins hired by her father.
A family story in the city of Bobbio between 1999 and 2008.
Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Ale, a deeply disturbed young man subject to seizures, benignly decides to murder members of his dysfunctional family for altruistic reasons.
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
The freshly graduated psychiatrist David shall deliver an opinion about young Maddalena, who's on trial for murdering a hunter. She claims she's a witch and acted on behalf of the devil.
Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."
Also Directed by Robert Kramer
The French Ministry of Culture commissioned films on the cultural decade "en chantiers". Robert Kramer makes one of the six short films that illustrates the cultural side of the decade Mittérand. Here we see a director of cinema in the suburbs of Caen, in her room lined with flower paper. This for art and essay cinema. There, the critic Serge Daney in a sailor's cap, for a chat by the fire. An overview of French cinema today, "Pickpocket" on television. Then back on you. The camera slides on the desk that we imagine to be Kramer's. Finally, the camera flies over Paris, slides along the facades, stops on a window, entering the skylight: "The films invite to see ... I invite you to see Jean Genet's hotel room."
Combining newsreel footage, still photographs, interviews, and analytical narration, this documentary focuses on the antifascist, anti-imperialist efforts of labor groups, peasants, and working-class soldiers to liberate Portugal from the control of the government of Antonio de Oliveira Salazar.
Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent many years in Africa, returns to the U.S. and decides to reconnect with his home country by walking the legendary Route One.
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
A young couple who are amateur roller-skating buffs practice their chosen avocation at a Parisian roller rink. Their hopes rise with a chance to go to Chicago to compete, especially when a magazine reporter assures them that his company will back them -- but then lets them know some sex-related business is a part of the package. Caught up in the couple's drama are several other characters who look like they might need some help themselves, making the problem of how to get to the Windy City seem more and more insoluble.
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a festival) in the bathroom of his apartment. Facing the camera, the filmmaker thinks, alone, about the fall of the Berlin wall. "I've already spent 6 weeks here. With all the events in eastern Europe, it was like a hurricane. Berlin is a city where you feel the biggest changes, where you meet Polish immigrants, or others, escaping. Berlin will become a very violent city. What happens in eastern Europe is a bit like the end of the civil war in the US. The North, and all it's power stimulated by years of war, took over the South, who has lost everything. And there is this German past, the war, on all levels.
The film concerns a group of disparate types who support themselves by running guns to the Arabs. On the surface, it would seem that these characters are bad guys. In fact, the guns are to be used by a resistance group who hope to continue shipping oil to the West, despite the despotic curbs imposed upon fuel shipments by their leaders.
Lyrical video letter by Robert Kramer to his friend Paul McIsaac captured during the editing of “Route One/USA”.
Directed by Robert Kramer
Also Directed by Shinji Aoyama
An Obsession is Aoyama's remake for the 1990s of Akira Kurosawa's Stray Dog ("Nora inu," 1949). The basic plot situation is the same: a cop, after losing his gun to a killer, sets out on a search for the criminal who in the end is all too disturbingly similar to the hero. Under Kurosawa's humanistic world view, Stray Dog presented the fundamentally shared nature of Japanese suffering amidst the Occupation and postwar poverty. An Obsession, however, is different.The film begins with a fin-de-siecle, apocalyptic sense of insanity which Kurosawa's humanism could never tolerate.
Delphine is twenty years old. She is too young to have experienced the activism of the seventies, but for her it is not something that belongs to the past. She decides to find something that will allow her to act and which, she claims, is owed to her.
Kenji Nakagami, one of the most notable Japanese writers of the post-war, died in 1992. His work reveals a strong connection to his homeland, Kishu: a mountainous region that connects to the Pacific Ocean through a river. "To The Alley" (alternative title) is a documentary about Kenji's life. Incorporating 16 mm images from the writer's personal archive and adding new footage, director Shinji Aoyama travels through the paths of the life and art of the Japanese writer.
An ex-boxer working for a game parlor owner gets caught up in a complex blackmail operation he doesn't understand. Before long he's caught between two yakuza bosses and a mysterious thief who motivation is unknown. Add in the boss' daughter who has a crush on him and watch him struggle to make sense of it all and come out alive.
The traumatized survivors of a murderous bus hijacking come together and take a road trip to attempt to overcome their damaged selves. Meanwhile, a serial killer is on the loose.
Video documentary by Shinji Aoyama. Also known as At the Edge of Chaos.
An omnibus recorded in a short film by five film directors with the motif of the song "Kai Band".
Centering on a young drifter almost casually drawn into violence--a crime drama about a boy and a man equally ill-equipped for criminal life and straight society. Neither wants to be a Yakuza, but normal life presents problems.
Three couples are staying at a lakeside cottage with their children. They want them to prepare intensely for a prestigious high school's entrance exam with the help of a private tutor. One night, one of the wives confesses to her husband that she has killed his mistress...
The film is a collection of one-minute short films created by 60 filmmakers from around the world on the theme of the death of cinema.
Also Directed by Jonas Mekas
In his latest film, Mekas shares what he describes as “a valentine to Yoko Ono,” done in his signature diaristic style. Mixing the familiar 16mm film with DV video, he offers a fly-on-the-wall look at intimate moments spent with one of the foremost artists of that era, including performances by Ono and new footage of her recent work—a testament to her endurance and the friendships she has made and kept over the years.
In late 1966 I visited Stan Brakhage in Rollinsville, Colorado. This is a portrait of Stan at home, with his family, his animals, and the surroundings, 9000 feet high.
This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.
Mekas lived in SoHo for a long time, and the towers naturally kept popping up: when he would film his friends on the street, hippie happenings on rooftops, family outings to the waterfront.
Matsuo Basho's haiku are internationally revered for their clarity, brevity and insight. Learn about this great haiku poet.
In the Kontti gallery, Kiasma presents a selection of Jonas Mekas’ films from the 1970s through to the 1990s. Born in Lithuania, Mekas fled from his native land in 1944 and finally settled in the United States. His circle of friends included writers, musicians and artists, such as Andy Warhol, Nico, Allen Ginsberg, Yoko Ono, John Lennon and Salvador Dalí, all of whom can also glimpsed in his films.
Forty years ago, the couple staged an act of nonviolent protest in support of peace
Video diary film by Jonas Mekas, premiered at the British Film Institute on December 5, 2017.
A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler.
The life and work of Fluxus artist George Maciunas as seen in clips filmed between 1952 and 1978.