Doctor Who: The Rescue

The Tripods is a television adaptation of John Christopher's The Tripods series of novels. It was jointly produced by the BBC in the United Kingdom and the Seven Network in Australia. The music soundtrack was written by Ken Freeman. Series one of The Tripods, broadcast in 1984, which had 13 half-hour episodes written by the well-known author of many radio plays Alick Rowe, covers the first book, The White Mountains; the 12-episode second series covers The City of Gold and Lead. Although a television script had been written for the third series, it never went into production. The first series was released on both VHS and DVD. The BBC released Tripods - The Complete Series 1 & 2 on DVD in March 2009. The series introduced several minor changes from the book, notably the shape of the Masters and Tripods, which have tentacles in the book, gravity inside the Golden City was increased artificially, which is not mentioned in the TV series; the introduction of "cognoscs", spiritual life-forms vastly superior to the Masters themselves; and more other main characters, including love interests for both Will and Beanpole. The original texts have few female characters. John Christopher was asked about this for an interview on Wordcandy, replying that at the time of writing the series, it was generally accepted that girls would read books with boy main characters, but not vice versa. He also stated that he felt the addition of an entire family of girls to the TV series was somewhat "over the top". The series is also notable for featuring non-humanoid aliens, which was uncommon at the time.

Trouble is brewing once again; Top Secret plans are being stolen with their guards killed. All evidence seems to point to the culprit being a sentient robot created by a Think Tank; however, his basic programming prevents him from killing, providing a contradiction to the clues. At the same time, the Doctor is recovering from his latest regeneration; can he regain his senses and help UNIT solve the case before time runs out?

The TARDIS has arrived on a far-distant and seemingly idyllic world. Yet the Doctor, Steven and Dodo learn it hides a terrible secret: the apparently civilised Elders maintain their advanced society by draining and transferring to themselves the life-force of the defenceless Savages.

Retired commander of the United Nations' Intelligence Taskforce, and long-time associate of the mysterious time traveler the Doctor, Brigadier Alistair Lethbridge-Stewart faces the toughest battle of his military career when he is embroiled in a plot unwittingly set in motion by university chancellor Victoria Waterfield, herself a former companion of the Doctor, to take over the Earth by an evil alien entity called the Great Intelligence, aided by its ferocious robot Yeti cohorts. Can the Brigadier defeat this menace to the Earth without the Doctor's help?

The Master, posing as a rural vicar, summons a cloven-hoofed demon in a church crypt. Seeking to gain the ancient titan's demonic power, he gathers a cult and then corrupts or controls the residents of Devil's End to bow to his will. Dark elemental forces begin to disturb the village on the eve of May Day: unexplained murders, a stone gargoyle come to life, and a nigh-impenetrable infernal energy dome. With the Master fully prepared to destroy the Earth, the Doctor and UNIT - aided by a benevolent practitioner of witchcraft - battle the wicked rites of a secret science weilded by an alien from another world.

The Doctor and Romana receive a distress signal and arrive on Chloris. It is a lush and verdant world with only small quantities of metals, all of which are controlled by its ruler, Lady Adrasta. Adrasta keeps order with the aid of her Huntsman and his Wolfweeds - mobile balls of vegetation. A band of thieves, led by Torvin, organise raids on her palace to steal whatever metal they can. But in the mines of Chloris is something huge, a creature thrown into the pit to be forgotten... and the Doctor is about to join him

Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.

Juliet Bravo was a drama that focused on two female police inspectors, neither of whom were called Juliet Bravo! These two inspectors worked in the small fictional town of Hartley, Lancashire. Jean Darblay was on the scene first and had trouble with her sexist colleagues. However she soon managed to gain their trust and prove a woman could be a successful police officer and housewife. Jean's call sign was Juliet Bravo. When she was promoted and moved on she was replaced by Kate Longton who not only took over the patch but also the headaches that went with it.