Christopher Barry
While serving a sentence for assault in Wheatfield Prison, young prisoner Eric Boylan began channeling his anger and frustration into one of his childhood passions: painting. Now that he’s been released, Eric has set out to pursue a career in fine art - while attempting to navigate the challenges of life as an ex-prisoner.
With a writing career spanning 6 decades, this special documentary looks at Terrance Dicks' work for books and television, with contributions from many of his friends and colleagues. Featuring contributions from Terrance Dicks, Barry Letts, Christopher Barry, Louis Marks, Eric Saward, Paul Cornell, Peter Darvill-Evans and Brenda Gardner.
In July 2002, an experiment took place… two Doctor Who actors, Sophie Aldred and Deborah Watling, travelled to France with director Christopher Barry and tutor Beverley Cressman, on a trip to educate, instruct and entertain a group of fans. During the following week six Doctor Who fans learnt how to use their own talents to act for the theatre and screen… and during the process they had a great deal of fun! The culmination was a dramatised rehearsal, directed by Christopher, where everyone got to perform in from of the camera and for the first time Victoria and Ace met! Is this indeed Full Circle? Doctor Who professionals teaching fans how to act? Was this a successful experiment? You bet it was!
As the very first Doctor, William Hartnell created the character that made Doctor Who a success. No other actor made such a lasting contribution to the programme or influenced it so greatly. In this special Myth Makers, Nicholas Briggs meets William’s friends, colleagues and family and explores the personality of this shy, complex and private man. With contributions from William Russell, Carole Ann Ford, Maureen O’Brien, Peter Purves, Verity Lambert, Michael Craze, Anneke Wills, Donald Tosh, Christopher Barry and a revealing interview with Jack Pitt, who was an extra in Doctor Who and shared William’s flat in London. Also featured is Jessica Carney, who has written a biography of the grandfather’s life titled Who’s There? This is not just a Myth Makers tribute… it’s almost a chance to meet the man himself.
Retired commander of the United Nations' Intelligence Taskforce, and long-time associate of the mysterious time traveler the Doctor, Brigadier Alistair Lethbridge-Stewart faces the toughest battle of his military career when he is embroiled in a plot unwittingly set in motion by university chancellor Victoria Waterfield, herself a former companion of the Doctor, to take over the Earth by an evil alien entity called the Great Intelligence, aided by its ferocious robot Yeti cohorts. Can the Brigadier defeat this menace to the Earth without the Doctor's help?
The Tripods is a television adaptation of John Christopher's The Tripods series of novels. It was jointly produced by the BBC in the United Kingdom and the Seven Network in Australia. The music soundtrack was written by Ken Freeman. Series one of The Tripods, broadcast in 1984, which had 13 half-hour episodes written by the well-known author of many radio plays Alick Rowe, covers the first book, The White Mountains; the 12-episode second series covers The City of Gold and Lead. Although a television script had been written for the third series, it never went into production. The first series was released on both VHS and DVD. The BBC released Tripods - The Complete Series 1 & 2 on DVD in March 2009. The series introduced several minor changes from the book, notably the shape of the Masters and Tripods, which have tentacles in the book, gravity inside the Golden City was increased artificially, which is not mentioned in the TV series; the introduction of "cognoscs", spiritual life-forms vastly superior to the Masters themselves; and more other main characters, including love interests for both Will and Beanpole. The original texts have few female characters. John Christopher was asked about this for an interview on Wordcandy, replying that at the time of writing the series, it was generally accepted that girls would read books with boy main characters, but not vice versa. He also stated that he felt the addition of an entire family of girls to the TV series was somewhat "over the top". The series is also notable for featuring non-humanoid aliens, which was uncommon at the time.
Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.
Juliet Bravo was a drama that focused on two female police inspectors, neither of whom were called Juliet Bravo! These two inspectors worked in the small fictional town of Hartley, Lancashire. Jean Darblay was on the scene first and had trouble with her sexist colleagues. However she soon managed to gain their trust and prove a woman could be a successful police officer and housewife. Jean's call sign was Juliet Bravo. When she was promoted and moved on she was replaced by Kate Longton who not only took over the patch but also the headaches that went with it.
The Doctor and Romana receive a distress signal and arrive on Chloris. It is a lush and verdant world with only small quantities of metals, all of which are controlled by its ruler, Lady Adrasta. Adrasta keeps order with the aid of her Huntsman and his Wolfweeds - mobile balls of vegetation. A band of thieves, led by Torvin, organise raids on her palace to steal whatever metal they can. But in the mines of Chloris is something huge, a creature thrown into the pit to be forgotten... and the Doctor is about to join him
Mad scientist Mehendri Solon is building a body from spare parts to house the disembodied brain of the evil Time Lord Morbius. He fancies the Doctor's head as the final piece...
Trouble is brewing once again; Top Secret plans are being stolen with their guards killed. All evidence seems to point to the culprit being a sentient robot created by a Think Tank; however, his basic programming prevents him from killing, providing a contradiction to the clues. At the same time, the Doctor is recovering from his latest regeneration; can he regain his senses and help UNIT solve the case before time runs out?
The Time Lords send the Doctor and Jo on a mission to deliver a sealed message pod to an unknown party aboard a Skybase orbiting the planet Solos in the 30th century. They are caught quickly in a power struggle between the cruel Marshal of Solos and the young Solonian Ky over the future of Solos - a future that hinges on the contents of the message.
The Master, posing as a rural vicar, summons a cloven-hoofed demon in a church crypt. Seeking to gain the ancient titan's demonic power, he gathers a cult and then corrupts or controls the residents of Devil's End to bow to his will. Dark elemental forces begin to disturb the village on the eve of May Day: unexplained murders, a stone gargoyle come to life, and a nigh-impenetrable infernal energy dome. With the Master fully prepared to destroy the Earth, the Doctor and UNIT - aided by a benevolent practitioner of witchcraft - battle the wicked rites of a secret science weilded by an alien from another world.
All 16 episodes of the 1967 series based on the Alexandre Dumas novel 'Twenty Years After'. “The Further Adventures of the Musketeers” was a BBC drama series, based on Alexander Dumas' "Twenty Years After." The sixteen episodes were broadcast on BBC1, at 5:25 pm on Sundays. Michael Gothard is credited for appearances in ten of the sixteen episodes, and very briefly appears in another. He plays Mordaunt, formerly John Francis de Winter, the vengeful son of Milady de Winter. Milady was executed by the Musketeers in the previous series, "The Three Musketeers." This series, which features many stalwarts of British entertainment, had lain in the BBC archives for nearly 50 years, unseen by the public, but in May 2016 it was finally released on DVD by Simply Media.
The TARDIS has arrived on a far-distant and seemingly idyllic world. Yet the Doctor, Steven and Dodo learn it hides a terrible secret: the apparently civilised Elders maintain their advanced society by draining and transferring to themselves the life-force of the defenceless Savages.
Following the Doctor's regeneration into a new, younger body, the TARDIS lands at an Earth colony on the planet Vulcan in the far future. Mistaken for an official Earth Examiner, the Doctor discovers that a scientist called Lesterson is attempting to reactivate two inanimate, subservient Daleks found in a crashed space rocket. The colonists refuse to heed the Doctor's dire warnings that the Daleks are dangerous.
Landing in Rome, A.D. 64 the travellers take a rare holiday. While Ian and Barbara are happy to relax, the Doctor and Vicki set off to pursue adventure. However, adventure soon finds Ian and Barbara too as they are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...
The Doctor, Ian and Barbara arrive on the planet Dido. They find a crashed spaceship, the only two survivors of which are terrorised by the monster Koquillion. But who is Koquillion?
Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.
The TARDIS brings the Doctor, Susan, Barbara, and Ian to the planet Skaro where they meet two indigenous races — the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival.
Compact was a British television soap opera shown by the BBC between 1962 and 1965. The series was created by Hazel Adair and Peter Ling, who together went on to devise Crossroads. In contrast to the kitchen sink realism of Coronation Street, Compact was a distinctly middle-class serial, set in the more "sophisticated" arena of magazine publishing. An early "avarice" soap, it took the viewer into the business workplace, and aligned the professional lives of the characters with more personal storylines. The show was scheduled for broadcast on Tuesdays and Thursdays, thus avoiding a clash with ITV's Coronation Street on Mondays and Wednesdays. When Compact began, the editor was a woman, Joanne Minster, yet it was not long before she was replaced by Ian Harmon, the son of the magazine's owner. Despite being largely criticised by reviewers, Compact was popular with the general public, and in 1964 a regular omnibus edition was introduced, broadcast on Sundays. Morris Barry, a some-time actor and BBC director – he directed several Doctor Who stories in the 1960s – took over as producer and was given a brief to spice the series up in view of the criticism it had received from the national press. But the BBC, never comfortable with the concept of soap opera, quietly dropped the series in 1965.
