Elective Affinities

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

At the end of the XIX century in Russia, Prince Dimitri Necklivdov is called as a jury-man in a trial. The defendant is Katiuscia Maslova, accused of murdering a merchant in order to rob him. Dimitri recognizes Katiuscia: she was the girl he seduced many years before. Dimitri decides to save her.

The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.

Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.

This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.

A tale of three surreal Pirandello funerals intertwined with the murder of a young Sicilian immigrant boy in Brooklyn for what is described as a surreal, grotesque, complex narrative.

It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.

Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights laughing in his sleep. When his best friend, a cripple, takes his life and his wife abandons him Felice decides to die himself. In the second segment two kidnappings in Sicily, the second of which took place a century before the present one, are compared.

An 18th-century true story about a rebel and his lover's attempt to overthrow the Italian monarchy.

A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others of the traditional way of living of poorer Italian regions.

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

At the end of the XIX century in Russia, Prince Dimitri Necklivdov is called as a jury-man in a trial. The defendant is Katiuscia Maslova, accused of murdering a merchant in order to rob him. Dimitri recognizes Katiuscia: she was the girl he seduced many years before. Dimitri decides to save her.

The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.

Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.

This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.

It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.

Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights laughing in his sleep. When his best friend, a cripple, takes his life and his wife abandons him Felice decides to die himself. In the second segment two kidnappings in Sicily, the second of which took place a century before the present one, are compared.

An 18th-century true story about a rebel and his lover's attempt to overthrow the Italian monarchy.

A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others of the traditional way of living of poorer Italian regions.

The Night of San Lorenzo, the night of the shooting stars, is the night when dreams come true in Italian folklore. In 1944, a group of Italians flee their town after hearing rumours that the Nazis plan to blow it up and that the Americans are about to arrive to liberate them.