Paolo Taviani
Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.
Winner of the Golden Bear at the 2012 Berlin Film Festival, Caesar Must Die (Cesare Deve Morire), the scripted documentary shows inmates at a prison in Rome rehearsing for a performance of Shakespeare's Julius Caesar.
The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.
An 18th-century true story about a rebel and his lover's attempt to overthrow the Italian monarchy.
Various generations of filmmakers talk about what cinema means for them.
At the end of the XIX century in Russia, Prince Dimitri Necklivdov is called as a jury-man in a trial. The defendant is Katiuscia Maslova, accused of murdering a merchant in order to rob him. Dimitri recognizes Katiuscia: she was the girl he seduced many years before. Dimitri decides to save her.
Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights laughing in his sleep. When his best friend, a cripple, takes his life and his wife abandons him Felice decides to die himself. In the second segment two kidnappings in Sicily, the second of which took place a century before the present one, are compared.
After an architect (Fabrizio Bentivoglio) is invited to the home of his associate, the harmony of the place comes undone with the visitor's attraction to someone.
The Benedetti family's wealth comes from gold stolen from the French army during the 18th century. When Jean (Michael Vartan), the lieutenant guarding the coins -- and lover of Elisabette Benedetti (Galatea Ranzi) -- is executed for a crime he did not commit, Elisabette curses the family. Bad luck travels from generation to generation. As the latest Benedettis tell their children about their eccentric grandfather, the children worry that the family curse will be passed on.
Based on Leo Tolstoy's novel, Father Sergius, Night Sun stars Julian Sands as Sergio, a nobleman in 18th-century Italy who is expected to marry a duchess, Nastassja Kinski. Upon learning that she was previously the King's mistress, Sergio turns his back on society and becomes a monk. While at the hermitage he tries to resist all sexual temptations before him and soon becomes known as a miracle worker. Eventually he succumbs to a young seductress and knowing he is undeserving of the adulation, leaves the hermitage to travel around as a homeless beggar.
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in Hollywood designing sets for D.W.Griffith and marry beautiful actresses, but tragedy strikes with the arrival of World War I, which finds the brothers fighting on opposite sides...
The Night of San Lorenzo, the night of the shooting stars, is the night when dreams come true in Italian folklore. In 1944, a group of Italians flee their town after hearing rumours that the Nazis plan to blow it up and that the Americans are about to arrive to liberate them.
Romantic entanglements develop between three young Italians frustrated by their current economic and social status.
The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.
Suave Fulvio (Marcello Mastroianni) woos women as he and the Sublime Brothers, 20 of them, attempt revolution in 1816 Italy.
Sentenced to life imprisonment for illegal activities, Italian International member Giulio Manieri holds on to his political ideals while struggling against madness in the loneliness of his prison cell.
An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland.
The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.
This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.
Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.
A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others of the traditional way of living of poorer Italian regions.
A tale of three surreal Pirandello funerals intertwined with the murder of a young Sicilian immigrant boy in Brooklyn for what is described as a surreal, grotesque, complex narrative.
